{"title":"佩拉博物馆中的拜占庭铅封","authors":"Nilgun ELAM, Christos MALATRAS, Yavuz Selim GÜLER","doi":"10.37095/gephyra.1299257","DOIUrl":null,"url":null,"abstract":"The collection of lead seals of the Pera Museum consists of 17 unpublished pieces, except for three lead seals (nos.1, 8, and 10) which are dated from the second half of the 7th century to the 13th century. Ten of the seventeen Byzantine lead seals of the Pera Museum collection mention the dignities and the offices of their owners. These offices range from the lower rank of a simple notary (no. 5) up to the highest office of the emperor himself (no. 9). There is only one seal related to the ecclesiastical administration, issued by a bishop (no. 2). Noteworthy are the seals of Georgios (no. 6), who has the uniquely attested office of an imperial apothekarios, as well as the 11th-century seal of Pharasmanes Apokapes, member of a notable Byzantine family of Armenian origin, by whom no other seals have been published so far. Another group of seals consists of the specimens (nos. 11-14 and possibly also no. 17) where only the name or the surname of their owner is mentioned. All these pieces are dated to the period between the second half of the 11th century and the 13th century. In the collection, there are two more iconographic seals (nos. 15-16) depicting on both sides holy figures without any inscription that mentions their owner, and finally, an unidentified seal (no. 17) (dated to the end of the 11th century).","PeriodicalId":37539,"journal":{"name":"Gephyra","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pera Müzesi’ndeki Bizans Kurşun Mühürleri\",\"authors\":\"Nilgun ELAM, Christos MALATRAS, Yavuz Selim GÜLER\",\"doi\":\"10.37095/gephyra.1299257\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The collection of lead seals of the Pera Museum consists of 17 unpublished pieces, except for three lead seals (nos.1, 8, and 10) which are dated from the second half of the 7th century to the 13th century. Ten of the seventeen Byzantine lead seals of the Pera Museum collection mention the dignities and the offices of their owners. These offices range from the lower rank of a simple notary (no. 5) up to the highest office of the emperor himself (no. 9). There is only one seal related to the ecclesiastical administration, issued by a bishop (no. 2). Noteworthy are the seals of Georgios (no. 6), who has the uniquely attested office of an imperial apothekarios, as well as the 11th-century seal of Pharasmanes Apokapes, member of a notable Byzantine family of Armenian origin, by whom no other seals have been published so far. Another group of seals consists of the specimens (nos. 11-14 and possibly also no. 17) where only the name or the surname of their owner is mentioned. All these pieces are dated to the period between the second half of the 11th century and the 13th century. In the collection, there are two more iconographic seals (nos. 15-16) depicting on both sides holy figures without any inscription that mentions their owner, and finally, an unidentified seal (no. 17) (dated to the end of the 11th century).\",\"PeriodicalId\":37539,\"journal\":{\"name\":\"Gephyra\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gephyra\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37095/gephyra.1299257\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gephyra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37095/gephyra.1299257","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
The collection of lead seals of the Pera Museum consists of 17 unpublished pieces, except for three lead seals (nos.1, 8, and 10) which are dated from the second half of the 7th century to the 13th century. Ten of the seventeen Byzantine lead seals of the Pera Museum collection mention the dignities and the offices of their owners. These offices range from the lower rank of a simple notary (no. 5) up to the highest office of the emperor himself (no. 9). There is only one seal related to the ecclesiastical administration, issued by a bishop (no. 2). Noteworthy are the seals of Georgios (no. 6), who has the uniquely attested office of an imperial apothekarios, as well as the 11th-century seal of Pharasmanes Apokapes, member of a notable Byzantine family of Armenian origin, by whom no other seals have been published so far. Another group of seals consists of the specimens (nos. 11-14 and possibly also no. 17) where only the name or the surname of their owner is mentioned. All these pieces are dated to the period between the second half of the 11th century and the 13th century. In the collection, there are two more iconographic seals (nos. 15-16) depicting on both sides holy figures without any inscription that mentions their owner, and finally, an unidentified seal (no. 17) (dated to the end of the 11th century).
GephyraArts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
7
审稿时长
12 weeks
期刊介绍:
Gephyra - a Journal for the Ancient History and Cultures of the Eastern Mediterranean - is an open access publication platform for articles from all fields of research into Asia Minor and the Eastern Mediterranean, insofar as they shed new light on the history and culture of this geographical and historical region. Scope: Epigraphic, archaeological, numismatic and art historical contributions, commented and evaluated material presentations, as well as historical reflections and essays are all equally welcome.