活着也让别人活着:《无暇赴死》中的黑色007

IF 0.2 3区文学 0 LITERATURE

Journal of Postcolonial Writing Pub Date : 2023-11-09 DOI:10.1080/17449855.2023.2267796

Rajinder Dudrah

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引用次数: 0

摘要

《无暇赴死》(2021)见证了英国黑人007作为詹姆斯·邦德系列电影主角的到来。黑人007诺米由英国黑人女演员拉什娜·林奇饰演，她与牙买加有着散居的种族和文化联系。在电影中，这些参考都是在后现代后殖民英国的背景下出现的。《无暇死》是邦德系列电影和詹姆斯·邦德学术研究中一个有趣的案例，因为它让我们思考种族、性别、代表性和归属等问题。-à-vis在英国媒体中，围绕黑人詹姆斯·邦德的想法，邦德狂热正在进行辩论。本文考察了诺米在这部电影中作为黑人007的表现，重点关注种族、性别和黑人英国人的文化政治，以及她的角色在电影中所体现的后殖民和流散的品质。

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Live and let live: The Black 007 in No Time To Die

No Time To Die (2021) saw the arrival of a Black British 007 as protagonist in the James Bond film franchise. The Black 007 Nomi was played by Black British actress Lashana Lynch with diasporic ethnic and cultural connections to Jamaica. These references are taken up in the film in the context of a late-modern postcolonial Britain. No Time To Die is an interesting case in the Bond film franchise and in scholarly studies of James Bond as it allows us to think through issues of race, gender, representation, and belonging vis-à-vis an ongoing debate amongst Bond mania in the British media around the idea of a Black James Bond. This article examines the representation of Nomi as the Black 007 in this film, focussing on the cultural politics of race, gender, and Black Britishness, alongside the postcolonial and diasporic qualities of her character that the film embraces.

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来源期刊

Journal of Postcolonial Writing LITERATURE-

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.