动机树、网络分析与Bartók对匈牙利民歌的八个即兴创作,第5期

IF 1.6 1区 艺术学 0 MUSIC
James N Bennett
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引用次数: 0

摘要

本文描述了一种使用图理论树来模拟音乐动机之间关系的方法,主要转向Dora Hanninen的联想谱系概念,以及来自系统发育领域的某些方法。由于bla Bartók的《匈牙利民歌八分即兴曲》(1920)中的第五首呈现出一个片段跨越的过程,虽然是单向的,但也是不断分支的,它形成了唯一的音乐范例。此外,本文还通过将这些分析考虑置于德勒兹和瓜塔里的树/根茎区分以及离散和连续之间更普遍的对立中来考察哲学维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Motivic Trees, Network Analysis, and Bartók’s Eight Improvisations on Hungarian Folk Songs, No. 5
Abstract This article describes a method for using graph-theoretical trees to model relations between musical motives, turning primarily to Dora Hanninen’s notion of associative lineages, as well as to certain approaches from the field of phylogenetics. Since the fifth of Béla Bartók’s Eight Improvisations on Hungarian Folk Songs (1920) presents a piece-spanning process that, while unidirectional, is also continuously branching, it forms the sole musical example. In addition, the article also examines philosophical dimensions by situating these analytical considerations within Deleuze and Guattari’s tree/rhizome distinction and the more general opposition between the discrete and the continuous.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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