{"title":"授权社区音乐:在少数民族标题学校利用专业录音室和创业策略","authors":"Donald DeVito, José Valentino Ruiz","doi":"10.1386/jpme_00116_1","DOIUrl":null,"url":null,"abstract":"To reimagine pedagogy, creativity and learning in popular music education, various interdisciplinary theories and models of culture and musical practice can be mobilized. One such approach is the ‘professional recording studio’ (PRS) pedagogical approach. This focuses on developing students’ artistic identities through culturally relevant local neighbourhood music in a school with a low socio-economic status and a 99 per cent minority population. The PRS approach incorporates a wide range of music, including traditional music from the predominantly Black community and student compositions that incorporate local rhythms, riffs and playground music. By giving a voice to the underserved community, this approach aims to empower students and connect their musical experiences with their cultural heritage. The PRS approach can be examined through the lens of facilitated teaching approaches found in the field of community music and community arts entrepreneurialism.","PeriodicalId":156745,"journal":{"name":"Journal of Popular Music Education","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Empowering neighbourhood music: Leveraging professional recording studio and entrepreneurial strategies in a minority Title 1 school1\",\"authors\":\"Donald DeVito, José Valentino Ruiz\",\"doi\":\"10.1386/jpme_00116_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"To reimagine pedagogy, creativity and learning in popular music education, various interdisciplinary theories and models of culture and musical practice can be mobilized. One such approach is the ‘professional recording studio’ (PRS) pedagogical approach. This focuses on developing students’ artistic identities through culturally relevant local neighbourhood music in a school with a low socio-economic status and a 99 per cent minority population. The PRS approach incorporates a wide range of music, including traditional music from the predominantly Black community and student compositions that incorporate local rhythms, riffs and playground music. By giving a voice to the underserved community, this approach aims to empower students and connect their musical experiences with their cultural heritage. The PRS approach can be examined through the lens of facilitated teaching approaches found in the field of community music and community arts entrepreneurialism.\",\"PeriodicalId\":156745,\"journal\":{\"name\":\"Journal of Popular Music Education\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Popular Music Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jpme_00116_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Popular Music Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jpme_00116_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Empowering neighbourhood music: Leveraging professional recording studio and entrepreneurial strategies in a minority Title 1 school1
To reimagine pedagogy, creativity and learning in popular music education, various interdisciplinary theories and models of culture and musical practice can be mobilized. One such approach is the ‘professional recording studio’ (PRS) pedagogical approach. This focuses on developing students’ artistic identities through culturally relevant local neighbourhood music in a school with a low socio-economic status and a 99 per cent minority population. The PRS approach incorporates a wide range of music, including traditional music from the predominantly Black community and student compositions that incorporate local rhythms, riffs and playground music. By giving a voice to the underserved community, this approach aims to empower students and connect their musical experiences with their cultural heritage. The PRS approach can be examined through the lens of facilitated teaching approaches found in the field of community music and community arts entrepreneurialism.