作为具体化相遇的历史:本杰明·克里斯滕森的《古今巫术》中的酷儿快乐和时间拖沓

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2023-06-01 DOI:10.1386/jsca_00093_1

Amanda Doxtater

引用次数: 0

摘要

本文以伊丽莎白·弗里曼的《时间束缚:酷儿的时间，酷儿的历史》(2010)为例，从酷儿研究的角度来解读本杰明·克里斯滕森的《巫术穿越时代》中的时间异议和体现的快乐，作为时间的阻力和情色史学。这种解读开启了北欧导演电影的女权主义风格。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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History as embodied encounter: Queer pleasures and temporal drag in Benjamin Christensen’s Witchcraft Through the Ages

This article enlists Elizabeth Freeman’s Time Binds: Queer Temporalities, Queer Histories (2010) to read temporal dissidence and embodied pleasures in Benjamin Christensen’s Witchcraft Through the Ages through a queer studies lens, as temporal drag and erotohistoriography. This reading opens up a feminist-adjacent queering of Nordic auteur cinema.

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.