符号学对言论自由的分析。

Rivenskly Fahreza Achmad, Ade Kusuma
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引用次数: 0

摘要

电影描绘的是制作它们的现实。电影可以作为电影制作人的一种交流媒介,以对某一特定事物的想法、思想或关注的形式传达信息。Bambang Kuntara Murti导演的电影《Aum!》,讲述了在“秩序巴鲁”时代,独立电影人在电影制作过程中所经历的挑战。本研究采用罗兰·巴特符号学方法的定性方法,旨在探讨改革初期的民族主义和言论自由在电影《奥姆真理教》中的表现。本研究的结果显示了电影中人物的努力,这是活动家如何试图通过一部电影作品来传达对新秩序政府的批评。他们制作的电影是当时年轻人的一种斗争形式,传达他们的声音,批评当局的政策。电影成为表达对压迫统治者的反抗的媒介。这部具有剧情和动作类型的电影也教育了公众,如何表现民族主义的价值可以根据各自的创造力以任何方式。 关键词:电影,言论自由,民族主义,符号学
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analisis Semiotik terhadap Kebebasan Berpendapat di Film Aum!
Movies depict the reality in which they are made. Movies can be used as a medium of communication from the filmmaker to convey messages in the form of ideas, thoughts or concerns about a particular matter. Director Bambang Kuntara Murti's from film call “Aum!” tells the story of the challenges experienced by independent filmmakers who went through the film production process during the “Orde Baru” era. This research uses a qualitative approach with the semiotic method of Roland Barthes, aiming to see how nationalism and freedom of speech during the early reformation period in the movie entitled “Aum!”. The results of this study show the efforts of the characters in the film, which is how activists tried to convey criticism of the new order government through a work of a film. The films they made were a form of the struggle of young people at that time to convey their voices and criticize the policies of the authorities. Movies became a medium to convey resistance to oppressive rulers. This movie with drama and action genres also educates the public that how to show the value of nationalism can be in any way according to their respective creativity. Keywords: films, Freedom of Speech, Nationalism, Semiotic
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