韩剧《早婚冲突解决》的形式:

Sava Amalia Augustin, Yudiana Indriastuti
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引用次数: 0

摘要

《18岁再来》是一部探讨早婚和未婚先孕现象的韩剧。在《18 Again》中,各种各样的问题和克服冲突的个人努力被现实地呈现出来,并增加了一丝幻想,以支持故事情节和戏剧的目标。所描述的现象是关于一个人的梦想和愿望,如果他能回到他的青春,使他的梦想成真。故事情节的设定没有离开本剧的主题,即早婚所带来的问题以及每个个体为解决现有冲突所做的努力。虽然他以两种不同的身份出演,但剧中的人物塑造仍然是一个人物,即洪大永。本研究采用了John Fiske的符号学分析的定性方法,使用了三个层次的编码,即现实层次、表征层次和意识形态层次。Thomas和Kilmann方法的冲突管理策略也被研究者用来作为参考和参考,分析韩剧《18再来》中早婚冲突解决的形式是什么以及如何解决。经过分析,研究者发现在婚姻早期生活中有一种冲突的解决形式,韩剧《18 Again》中就有体现,即每个个体对所发生的冲突都有自我意识的存在,然后以不伤害或损害任何一方的双赢方式与相关方解决冲突。在现实层面、表征层面、意识形态层面描述的一种冲突解决形式的存在,与人际沟通、人际沟通、语言与非语言沟通的过程密不可分。 关键词:再现,冲突,符号学,戏剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representasi Bentuk Penyelesaian Konflik Pernikahan Dini pada Drama Korea:
18 Again is a Korean drama series that explores the phenomenon of early marriage and pregnancy out of wedlock. Various problems and individual efforts in overcoming conflicts depicted in the drama 18 Again are presented realistically and added a touch of fantasy to support the storyline and the goals of the drama. The phenomenon described is about a person's dreams and wishes if he could return to his youth to make his dreams come true. The storyline is made without leaving the main topic in this drama, namely the problems caused by early marriage and the efforts made by each individual in solving existing conflicts. Even though he is played with two different identities, the characterization in this drama still refers to one character, namely Hong Dae Young. This study uses a qualitative method with John Fiske's semiotic analysis which uses 3 levels of coding, namely the level of reality, the level of representation, and the level of ideology. The conflict management strategy of the Thomas and Kilmann method is also used as a reference and reference for researchers to analyze what and how are the forms of early marriage conflict resolution in the Korean drama 18 Again. After conducting the analysis, the researcher found that there is a form of conflict resolution in early married life which is represented in the Korean drama 18 Again, namely the existence of self-awareness from each individual about the conflict that occurs, then the individual resolves the conflict with related parties in a win-win manner without injuring or detrimental to any party. The existence of a form of conflict resolution that is described at the level of reality, the level of representation, and the level of ideology is inseparable from the process of intrapersonal communication, interpersonal communication, and verbal and non-verbal communication. Keywords: representation, conflict, semiotics, drama.
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