澳大利亚的博物馆有多开放?从版权治理的角度回顾

IF 1 Q3 COMMUNICATION
Paul Longley Arthur, Lydia Hearn, Isabel Smith, Nikos Koutras
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引用次数: 0

摘要

博物馆越来越多地采用创新的数字技术来策划、链接和销售藏品,使新型的公众参与能够更好地与流行文化联系起来。博物馆通过采用当代的交付模式来开放其藏品,标志着通过增加互动和可访问性,推动知识和信息的更大民主化。然而随之而来的是一系列复杂的版权和法律问题。本文回顾了澳大利亚博物馆目前的版权壁垒,并研究了国际上的例子如何提供潜在的模式和前进的道路。作者的结论是,最近的版权现代化审查为博物馆部门提供了一个重组其战略的机会。随着在线格式的发展,迫切需要探索一些国家的版权法修正案如何允许更公平和灵活地使用文化文物和孤儿作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How “open” are Australian museums? A review through the lens of copyright governance
Museums are increasingly employing innovative digital techniques to curate, link, and market collections, enabling new kinds of public engagement to better connect with popular culture. By embracing contemporary modes of delivery to open access to their collections, museums are signalling a drive toward greater democratisation of knowledge and information through increased interaction and accessibility. Yet with this has come a series of copyright and legal complexities. This paper reviews current copyright barriers for museums in Australia and examines how international examples offer potential models and ways forward. The authors conclude that recent copyright modernisation reviews offer the museum sector an opportunity to restructure its strategies. As online formats evolve, there is an urgent need to explore how amendments to copyright laws in some countries have allowed for more fair and flexible use of cultural artefacts and orphan works.
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来源期刊
Internet Histories
Internet Histories Arts and Humanities-History
CiteScore
1.90
自引率
23.10%
发文量
24
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