《素数时代:数学与文学的奇妙联系》莎拉·哈特著(书评)

IF 0.3 4区 文学 0 LITERATURE
Firdous Ahmad Mala
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Wordsworth recognized mathematics as a distinct realm built on pure intellect, and John Locke considered mathematics a means to cultivate a habit of logical reasoning. Even renowned figures like the Persian poet Omar Khayyam and Lewis Carroll excelled in both mathematics and literature. Mathematics has always been an integral part of a well-rounded individual's cultural understanding. It also held a prominent place in Plato's quadrivium, encompassing arithmetic, music, geometry, and astronomy. In her captivating book Once upon a Prime, Sarah Hart recounts her initial reluctance to delve into the pages of Moby-Dick. However, her curiosity was piqued when she discovered a reference to the cycloid within the novel. This prompted her to contemplate the profound connections between mathematics and literature. The impact of this experience on Hart's life was nothing short of transformative—she describes it as an epiphany that forever altered her perspective. Mathematics, with [End Page 66] its capacity to enrich and liberate the mind, holds such profound influence that even Blaise Pascal sought solace from the agony of a toothache by immersing himself in thoughts of the cycloid. Hart further highlights how luminaries like Tolstoy, Joyce, Arthur Conan Doyle, Chimamanda Ngozi Adichie, and Michael Crichton seamlessly integrated mathematics into their literary works, granting mathematicians a notable and coveted presence within the pages of their masterpieces. It is worth noting that the interplay between mathematics and literature is not a recent phenomenon, as evidenced by Aristophanes' play The Birds, which debuted as early as 414 bce and showcased these intricate connections. The book commences by asserting that the connections between mathematics and poetry are not only profound but remarkably accessible. Subsequently, the author artfully unveils what is referred to as the \"geometry of narrative,\" a visual methodology for organizing a story. One illustrative example is the concept of \"Man in a Hole.\" By assigning the vertical axis (y-axis) to represent fortune and the horizontal axis (x-axis) to signify time, a rising curve denotes increasing fortune, while a descending curve signifies declining fortune. Through this approach, narratives can be mapped onto graphs and graphs can be associated with tales. For instance, the novel David Copperfield aptly corresponds to a \"Man in a Hole\" graph. The author proceeds to exemplify this concept by presenting graphs that represent well-known classic genres such as \"boy meets a girl,\" \"Cinderella,\" and \"metamorphosis.\" Hart delves into a fascinating workshop that brings together writers with a penchant for mathematics and mathematicians with an appreciation for literature. She references a notable incident from 1960, in which two French individuals fortuitously encountered a group composed of such individuals. This collective embarked on an exploration of innovative structural possibilities for various literary forms, including poetry, novels, and plays. One remarkable example of their endeavor is the French novel La Disparition, by Georges Perec. Additionally, Ernest Vincent Wright's English novel Gadsby pursued a similar path. These novels successfully accomplished the feat of excluding the letter e from their narratives, showcasing the extraordinary possibilities that emerged from this unconventional approach. In her remarkable debut book, Sarah Hart, who holds the esteemed distinction of being the first woman to occupy England's oldest mathematics chair, presents a series of exquisitely crafted explorations that highlight the profound ways in which mathematics can be harnessed to create compelling narratives. 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It also held a prominent place in Plato's quadrivium, encompassing arithmetic, music, geometry, and astronomy. In her captivating book Once upon a Prime, Sarah Hart recounts her initial reluctance to delve into the pages of Moby-Dick. However, her curiosity was piqued when she discovered a reference to the cycloid within the novel. This prompted her to contemplate the profound connections between mathematics and literature. The impact of this experience on Hart's life was nothing short of transformative—she describes it as an epiphany that forever altered her perspective. Mathematics, with [End Page 66] its capacity to enrich and liberate the mind, holds such profound influence that even Blaise Pascal sought solace from the agony of a toothache by immersing himself in thoughts of the cycloid. Hart further highlights how luminaries like Tolstoy, Joyce, Arthur Conan Doyle, Chimamanda Ngozi Adichie, and Michael Crichton seamlessly integrated mathematics into their literary works, granting mathematicians a notable and coveted presence within the pages of their masterpieces. It is worth noting that the interplay between mathematics and literature is not a recent phenomenon, as evidenced by Aristophanes' play The Birds, which debuted as early as 414 bce and showcased these intricate connections. The book commences by asserting that the connections between mathematics and poetry are not only profound but remarkably accessible. Subsequently, the author artfully unveils what is referred to as the \\\"geometry of narrative,\\\" a visual methodology for organizing a story. 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引用次数: 1

摘要

评论人:《一个素数的往昔:数学与文学的奇妙联系》作者:Sarah Hart Firdous Ahmad Mala Sarah Hart《一个素数的往昔:数学与文学的奇妙联系》纽约。熨斗出版社,2023。304页。对许多人来说,数学与文学是截然不同的;然而,这与现实相去甚远。数学一直是任何理想课程中不可或缺的一部分。文学爱好者一贯表现出对数学的深刻欣赏。例如,乔叟不仅写了《坎特伯雷故事集》,还写了一篇关于星盘的论文。柏拉图坚持只有懂几何的人才能进入他的学院。诺贝尔文学奖得主伯特兰·罗素也是一位颇有成就的数学家。华兹华斯认为数学是一个建立在纯智力基础上的独特领域,约翰·洛克认为数学是培养逻辑推理习惯的一种手段。即使是著名的人物,如波斯诗人奥马尔·海亚姆和刘易斯·卡罗尔在数学和文学方面都很出色。数学一直是一个全面发展的个人文化理解的一个组成部分。它在柏拉图的四重奏中也占有突出的地位,包括算术、音乐、几何和天文学。在莎拉·哈特那本引人入胜的书《黄金时代》中,她讲述了自己最初不愿深入研究《白鲸》的故事。然而,当她发现小说中提到摆线时,她的好奇心被激起了。这促使她思考数学与文学之间的深刻联系。这段经历对哈特的生活产生了翻天覆地的影响——她把它描述为一种顿悟,永远改变了她的观点。数学,以其丰富和解放思想的能力,有着如此深远的影响,甚至布莱兹·帕斯卡(Blaise Pascal)也通过沉浸在摆线线的思想中,从牙痛的痛苦中寻求安慰。哈特进一步强调了托尔斯泰、乔伊斯、阿瑟·柯南·道尔、奇曼达·恩戈齐·阿迪奇和迈克尔·克莱顿等杰出人物如何将数学无缝地融入他们的文学作品中,使数学家在他们的杰作中引人注目和令人垂涎的存在。值得注意的是,数学和文学之间的相互作用并不是最近才出现的现象,正如阿里斯托芬的戏剧《鸟》所证明的那样,它早在公元前414年就首次亮相,展示了这些复杂的联系。这本书一开始就断言数学和诗歌之间的联系不仅深刻,而且非常容易理解。随后,作者巧妙地揭示了所谓的“叙事几何”,一种组织故事的视觉方法。一个说明性的例子是“洞里的人”的概念。通过指定纵轴(y轴)代表财富,横轴(x轴)表示时间,上升曲线表示财富增加,下降曲线表示财富减少。通过这种方法,叙事可以映射到图表上,图表可以与故事联系起来。例如,小说《大卫·科波菲尔》正好对应于一个“洞里的人”图。作者通过展示“男孩遇到女孩”、“灰姑娘”和“变形记”等著名经典类型的图表来举例说明这一概念。哈特深入研究了一个吸引人的研讨会,该研讨会汇集了对数学有兴趣的作家和对文学有鉴赏力的数学家。她引用了1960年的一个著名事件,两个法国人偶然遇到了由这些人组成的一群人。这个集体开始探索各种文学形式的创新结构可能性,包括诗歌、小说和戏剧。他们努力的一个显著例子是乔治·佩雷克的法国小说《分化》。此外,欧内斯特·文森特·赖特的英文小说《加兹比》也走上了类似的道路。这些小说成功地完成了将字母e从叙事中排除的壮举,展示了这种非常规方法所产生的非凡可能性。莎拉·哈特(Sarah Hart)是英国历史最悠久的数学教授的第一位女性,在她非凡的处女作中,她展示了一系列精心设计的探索,突出了数学可以被利用来创造引人入胜的叙事的深刻方式。她深入研究了各个方面,比如在小说中使用数学隐喻,将数学原理融入神话领域,以及对……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Once upon a Prime: The Wondrous Connections between Mathematics and Literature by Sarah Hart (review)
Reviewed by: Once upon a Prime: The Wondrous Connections between Mathematics and Literature by Sarah Hart Firdous Ahmad Mala SARAH HART Once upon a Prime: The Wondrous Connections between Mathematics and Literature New York. Flatiron Books. 2023. 304 pages. TO MANY, MATHEMATICS is quite separate from literature; however, that is very far from reality. Mathematics has remained an indispensable part of any ideal curriculum. Aficionados of literature have consistently demonstrated a profound appreciation for mathematics. For instance, Chaucer not only wrote The Canterbury Tales but also authored a treatise on the astrolabe. Plato insisted that only those with knowledge of geometry be allowed into his academy. Bertrand Russell, a Nobel laureate in literature, was also a highly accomplished mathematician. Wordsworth recognized mathematics as a distinct realm built on pure intellect, and John Locke considered mathematics a means to cultivate a habit of logical reasoning. Even renowned figures like the Persian poet Omar Khayyam and Lewis Carroll excelled in both mathematics and literature. Mathematics has always been an integral part of a well-rounded individual's cultural understanding. It also held a prominent place in Plato's quadrivium, encompassing arithmetic, music, geometry, and astronomy. In her captivating book Once upon a Prime, Sarah Hart recounts her initial reluctance to delve into the pages of Moby-Dick. However, her curiosity was piqued when she discovered a reference to the cycloid within the novel. This prompted her to contemplate the profound connections between mathematics and literature. The impact of this experience on Hart's life was nothing short of transformative—she describes it as an epiphany that forever altered her perspective. Mathematics, with [End Page 66] its capacity to enrich and liberate the mind, holds such profound influence that even Blaise Pascal sought solace from the agony of a toothache by immersing himself in thoughts of the cycloid. Hart further highlights how luminaries like Tolstoy, Joyce, Arthur Conan Doyle, Chimamanda Ngozi Adichie, and Michael Crichton seamlessly integrated mathematics into their literary works, granting mathematicians a notable and coveted presence within the pages of their masterpieces. It is worth noting that the interplay between mathematics and literature is not a recent phenomenon, as evidenced by Aristophanes' play The Birds, which debuted as early as 414 bce and showcased these intricate connections. The book commences by asserting that the connections between mathematics and poetry are not only profound but remarkably accessible. Subsequently, the author artfully unveils what is referred to as the "geometry of narrative," a visual methodology for organizing a story. One illustrative example is the concept of "Man in a Hole." By assigning the vertical axis (y-axis) to represent fortune and the horizontal axis (x-axis) to signify time, a rising curve denotes increasing fortune, while a descending curve signifies declining fortune. Through this approach, narratives can be mapped onto graphs and graphs can be associated with tales. For instance, the novel David Copperfield aptly corresponds to a "Man in a Hole" graph. The author proceeds to exemplify this concept by presenting graphs that represent well-known classic genres such as "boy meets a girl," "Cinderella," and "metamorphosis." Hart delves into a fascinating workshop that brings together writers with a penchant for mathematics and mathematicians with an appreciation for literature. She references a notable incident from 1960, in which two French individuals fortuitously encountered a group composed of such individuals. This collective embarked on an exploration of innovative structural possibilities for various literary forms, including poetry, novels, and plays. One remarkable example of their endeavor is the French novel La Disparition, by Georges Perec. Additionally, Ernest Vincent Wright's English novel Gadsby pursued a similar path. These novels successfully accomplished the feat of excluding the letter e from their narratives, showcasing the extraordinary possibilities that emerged from this unconventional approach. In her remarkable debut book, Sarah Hart, who holds the esteemed distinction of being the first woman to occupy England's oldest mathematics chair, presents a series of exquisitely crafted explorations that highlight the profound ways in which mathematics can be harnessed to create compelling narratives. She delves into diverse aspects, such as the use of mathematical metaphors in fiction, the incorporation of mathematical principles into mythical realms, and the portrayal of...
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