“Hum Kaagaz Nahi Dikhayenge”(“我们不会展示我们的文件”):2019-20年反caa Shaheen Bagh抗议活动中身体和财产的叙述

None Kenny Bhatia
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引用次数: 0

摘要

2019- 2020年的沙欣巴格抗议活动是全国范围内对印度公民法CAA、NRC和NPR持不同意见的表现,这些法律在宗教上歧视穆斯林。抗议活动由德里沙欣巴格(Shaheen Bagh)社区的穆斯林妇女发起并领导,引发了围绕国家、性别身体、空间、历史和法律公民身份的批评性讨论。这篇文章通过表演研究的视角,批判性地探讨了抗议者对国家歧视、分裂和暴力叙事的反叙事。抗议者的身体成为不同意见的空间和国家多样性的承担者,个人的肉体,家庭空间,穆斯林社区,抗议空间扩大,包括甚至创造了国家本身。因此,本文认为,随着抗议场所成为一个多元化的空间,抗议者建立了他们的世俗想象的国家,他们的不认同表现出国家永远无法完全规范的过度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Hum Kaagaz Nahi Dikhayenge” (“We won’t show our papers”): The Narratives of Bodies and Belongings at the Anti-CAA Shaheen Bagh Protests 2019-20
The Shaheen Bagh protests of 2019-20 were a nation-wide performance of dissent against the Indian citizenship laws CAA, NRC and NPR that would religiously discriminate against Muslims. Began and led by Muslim women from the neighbourhood of Shaheen Bagh in Delhi, the protests engendered critical conversations around the nation, the gendered body, space, history, and legal citizenship. The essay is a critical exploration of the counter-narratives the protestors performed against the State’s discriminatory, divisive and violent narratives, through the lens of performance studies. The bodies of the protestors became spaces of dissent and the bearers of the multiplicities of the nation, the corporeality of the individual, the domestic space, the Muslim neighbourhood, and the protest space expanded, encompassing, and even creating, the nation itself. The essay, thus, argues that as the protest site became a space of multiplicities, the protestors built the nation(s) of their secular imagination and their disidentifications presented the excess that the State could never fully regulate.
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