{"title":"Olena Kulchytska图形作品中的图像和符号中的乌克兰身份","authors":"Yaryna Horichko","doi":"10.1177/00472441231205726","DOIUrl":null,"url":null,"abstract":"This article introduces the graphic work of Olena Kulchytska (1877–1967) within the cross-cultural context of Austro-Hungary and the Russian Empire pre-1914, where she received her training. Kulchytska is at once an internationalist and European artist and indebted to regional religious practice and local folkloric motifs. She practised her craft designing ex-libris bookplates, an important genre in Ukraine. The article then analyses the iconography of Kulchytska’s graphic works on military themes, emphasizing their significance in the context of Ukrainian identity. The parallels between the horrors she depicted and events from Ukrainian history (from the Early Middle Ages to the second half of the twentieth century) are identified, and the quite timeless character of most of the images and symbols is demonstrated. The practical significance of this study lies in its emphasis on the war theme in modern art, especially in the conditions of the current war in Ukraine.","PeriodicalId":43875,"journal":{"name":"JOURNAL OF EUROPEAN STUDIES","volume":"115 47","pages":"0"},"PeriodicalIF":0.6000,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ukrainian identity in the images and symbols of Olena Kulchytska’s graphic works\",\"authors\":\"Yaryna Horichko\",\"doi\":\"10.1177/00472441231205726\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article introduces the graphic work of Olena Kulchytska (1877–1967) within the cross-cultural context of Austro-Hungary and the Russian Empire pre-1914, where she received her training. Kulchytska is at once an internationalist and European artist and indebted to regional religious practice and local folkloric motifs. She practised her craft designing ex-libris bookplates, an important genre in Ukraine. The article then analyses the iconography of Kulchytska’s graphic works on military themes, emphasizing their significance in the context of Ukrainian identity. The parallels between the horrors she depicted and events from Ukrainian history (from the Early Middle Ages to the second half of the twentieth century) are identified, and the quite timeless character of most of the images and symbols is demonstrated. The practical significance of this study lies in its emphasis on the war theme in modern art, especially in the conditions of the current war in Ukraine.\",\"PeriodicalId\":43875,\"journal\":{\"name\":\"JOURNAL OF EUROPEAN STUDIES\",\"volume\":\"115 47\",\"pages\":\"0\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-11-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF EUROPEAN STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/00472441231205726\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF EUROPEAN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/00472441231205726","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Ukrainian identity in the images and symbols of Olena Kulchytska’s graphic works
This article introduces the graphic work of Olena Kulchytska (1877–1967) within the cross-cultural context of Austro-Hungary and the Russian Empire pre-1914, where she received her training. Kulchytska is at once an internationalist and European artist and indebted to regional religious practice and local folkloric motifs. She practised her craft designing ex-libris bookplates, an important genre in Ukraine. The article then analyses the iconography of Kulchytska’s graphic works on military themes, emphasizing their significance in the context of Ukrainian identity. The parallels between the horrors she depicted and events from Ukrainian history (from the Early Middle Ages to the second half of the twentieth century) are identified, and the quite timeless character of most of the images and symbols is demonstrated. The practical significance of this study lies in its emphasis on the war theme in modern art, especially in the conditions of the current war in Ukraine.
期刊介绍:
Journal of European Studies is firmly established as one of the leading interdisciplinary humanities and cultural studies journals in universities and other academic institutions. From time to time, individual issue concentrate on particular themes. Review essays and review notices also offer a wide and informed coverage of many books that are published on European cultural themes.