侦探小说中的元虚构探索:朱利安·巴恩斯的《亚瑟》乔治和后现代的错综复杂

Poojaba G Jadeja, Dr. Dilip Barad
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引用次数: 0

摘要

本文通过对朱利安·巴恩斯(Julian Barnes)的小说《亚瑟》(Arthur &乔治。柯南·道尔和阿加莎·克里斯蒂的侦探小说是在现代性观念和启蒙理想的指引下形成的。然而,后现代主义作为启蒙思想的反作用力而出现,侦探小说也不例外。后现代侦探小说通过元小说、戏仿和互文性等手法颠覆了传统侦探小说的传统。本文还探讨了约翰·福尔斯、昂贝托·艾柯、保罗·奥斯特和豪尔赫·路易斯·博尔赫斯等后现代作家的小说及其元虚构手法,并详细分析了朱利安·巴恩斯的小说《亚瑟》中的元虚构手法,这些元虚构手法挑战了传统侦探的角色,打破了小说与现实的界限。乔治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
METAFICTIONAL EXPLORATIONS IN DETECTIVE FICTION: JULIAN BARNES'S ARTHUR & GEORGE AND POSTMODERN INTRICACIES
This research paper delves into the intricate realm of postmodern detective fiction through an in-depth analysis of Julian Barnes's novel, Arthur & George. Detective fictions of Arthur Conan Doyle and Agatha Christie were formed following the notions of modernity and enlightenment ideals. However, postmodernism emerged as a counterforce to Enlightenment concepts, and detective fiction is no exception. Postmodern detective fiction subverts traditional detective story conventions through techniques such as metafiction, parody, and intertextuality. The present paper also explores fictions of postmodern authors like John Fowles, Umberto Eco, Paul Auster, and Jorge Luis Borges and their metafictional techniques to challenge the traditional detective's role and disrupt the boundary between fiction and reality with detailed analysis of these metafictional techniques in Julian Barnes’s novel Arthur & George.
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