{"title":"1913年的瓦斯利纳庄园","authors":"Ojārs Spārītis","doi":"10.12697/bjah.2023.25.05","DOIUrl":null,"url":null,"abstract":"The main subject of this article is a photo album created by ReinholdKarl von Liphardt Jr, an outstanding representative of the BalticGerman landed gentry in Estonia in the first half of the 20th century.In the early 1990s, the director of the “Bildarchiv Foto Marburg” ofthe Art History Institute of the Phillips University Marburg, Mrs.Brigitte Walbe made the duplicates of the photographic materialsfrom the collection of the Baltic German historian and genealogistGeorg von Krusenstjern available to the author of this article.The article classifies and analyses the 181 photographs pastedin the photo album which, with the highest degree of certainty,can be attributed to Reinhold Karl von Liphardt Jr. (1864–1940), theowner of Raadi, Vastseliina and several other estates. Judging by the
 photographs in the album, it can be concluded that von Liphardt usedphotography as a means of enriching his emotionally saturated lifewith yet another means of artistic self-expression. The photographstaken in the period from the winter of 1912–1913 to the winter of1913–1914, convey an inordinate amount of visual information aboutthe landscape, architecture and society in the Vastseliina manor.Reinhold Karl von Liphardt’s photo album presents a series ofchronologically consecutive images and it is similar to a poetic “diaryin pictures”. Reinhold Karl von Liphardt used photography as aperfect means of documenting his ecocultural environment. Hislandscape photographs are characterized by great attention to detail.The cultural and sociological significance of the rural scenes in thephotographs is further increased by the presence of local people inthem. The Seto ethnic group lived in the estates of Reinhold Karlvon Liphardt and, thanks to their ethnographic uniqueness, drewthe attention of an educated landlord.The photos with individual and group portraits of therepresentatives of the Seto ethnic group are not only vivid evidenceof the Estonian culture in the first decades of the 20th century, butalso striking works of art, whose power of expression elevates themconsiderably above the emotionality and artistic effect of ReinholdKarl von Liphardt’s lyrical landscapes and idyllic family portraits.","PeriodicalId":52089,"journal":{"name":"Baltic Journal of Art History","volume":"22 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE WORLD OF VASTSELIINA ESTATE IN 1913\",\"authors\":\"Ojārs Spārītis\",\"doi\":\"10.12697/bjah.2023.25.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The main subject of this article is a photo album created by ReinholdKarl von Liphardt Jr, an outstanding representative of the BalticGerman landed gentry in Estonia in the first half of the 20th century.In the early 1990s, the director of the “Bildarchiv Foto Marburg” ofthe Art History Institute of the Phillips University Marburg, Mrs.Brigitte Walbe made the duplicates of the photographic materialsfrom the collection of the Baltic German historian and genealogistGeorg von Krusenstjern available to the author of this article.The article classifies and analyses the 181 photographs pastedin the photo album which, with the highest degree of certainty,can be attributed to Reinhold Karl von Liphardt Jr. (1864–1940), theowner of Raadi, Vastseliina and several other estates. Judging by the
 photographs in the album, it can be concluded that von Liphardt usedphotography as a means of enriching his emotionally saturated lifewith yet another means of artistic self-expression. The photographstaken in the period from the winter of 1912–1913 to the winter of1913–1914, convey an inordinate amount of visual information aboutthe landscape, architecture and society in the Vastseliina manor.Reinhold Karl von Liphardt’s photo album presents a series ofchronologically consecutive images and it is similar to a poetic “diaryin pictures”. Reinhold Karl von Liphardt used photography as aperfect means of documenting his ecocultural environment. Hislandscape photographs are characterized by great attention to detail.The cultural and sociological significance of the rural scenes in thephotographs is further increased by the presence of local people inthem. The Seto ethnic group lived in the estates of Reinhold Karlvon Liphardt and, thanks to their ethnographic uniqueness, drewthe attention of an educated landlord.The photos with individual and group portraits of therepresentatives of the Seto ethnic group are not only vivid evidenceof the Estonian culture in the first decades of the 20th century, butalso striking works of art, whose power of expression elevates themconsiderably above the emotionality and artistic effect of ReinholdKarl von Liphardt’s lyrical landscapes and idyllic family portraits.\",\"PeriodicalId\":52089,\"journal\":{\"name\":\"Baltic Journal of Art History\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-10-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12697/bjah.2023.25.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12697/bjah.2023.25.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
本文的主题是20世纪上半叶爱沙尼亚波罗的海德国地主贵族的杰出代表ReinholdKarl von Liphardt Jr .创作的一本相册。20世纪90年代初,马尔堡菲利普斯大学艺术史研究所“马尔堡Bildarchiv Foto Marburg”主任布里吉特·沃尔布(brigitte Walbe)夫人从波罗的海德国历史学家和家谱学家格奥尔格·冯·克鲁森斯特恩(georg von Krusenstjern)的收藏中复制了摄影材料,供本文作者使用。本文对相册中的181张照片进行了分类和分析,最确定的是,这些照片可以归因于Raadi, Vastseliina和其他几个庄园的所有者Reinhold Karl von Liphardt Jr.(1864-1940)。从
我们可以得出结论,冯·利普哈特将摄影作为一种手段,以另一种艺术自我表达的方式丰富他的情感饱和的生活。这些照片拍摄于1912-1913年冬季至1913 - 1914年冬季,传达了关于瓦斯塞利纳庄园景观、建筑和社会的大量视觉信息。莱因霍尔德·卡尔·冯·利普哈特的相册呈现了一系列按时间顺序连续的图像,类似于诗意的“照片日记”。莱因霍尔德·卡尔·冯·利普哈特将摄影作为记录他的生态文化环境的完美手段。他的海岛照片的特点是非常注重细节。照片中乡村场景的文化和社会学意义因当地人的出现而进一步增强。濑户人住在莱因霍尔德·卡尔冯·利普哈特的庄园里,由于他们在人种学上的独特性,引起了一位受过良好教育的地主的注意。这些Seto族代表的个人和集体肖像照片不仅是20世纪头几十年爱沙尼亚文化的生动证据,也是引人注目的艺术作品,其表达能力大大超越了ReinholdKarl von Liphardt抒情风景和田园诗般的家庭肖像的情感和艺术效果。
The main subject of this article is a photo album created by ReinholdKarl von Liphardt Jr, an outstanding representative of the BalticGerman landed gentry in Estonia in the first half of the 20th century.In the early 1990s, the director of the “Bildarchiv Foto Marburg” ofthe Art History Institute of the Phillips University Marburg, Mrs.Brigitte Walbe made the duplicates of the photographic materialsfrom the collection of the Baltic German historian and genealogistGeorg von Krusenstjern available to the author of this article.The article classifies and analyses the 181 photographs pastedin the photo album which, with the highest degree of certainty,can be attributed to Reinhold Karl von Liphardt Jr. (1864–1940), theowner of Raadi, Vastseliina and several other estates. Judging by the
photographs in the album, it can be concluded that von Liphardt usedphotography as a means of enriching his emotionally saturated lifewith yet another means of artistic self-expression. The photographstaken in the period from the winter of 1912–1913 to the winter of1913–1914, convey an inordinate amount of visual information aboutthe landscape, architecture and society in the Vastseliina manor.Reinhold Karl von Liphardt’s photo album presents a series ofchronologically consecutive images and it is similar to a poetic “diaryin pictures”. Reinhold Karl von Liphardt used photography as aperfect means of documenting his ecocultural environment. Hislandscape photographs are characterized by great attention to detail.The cultural and sociological significance of the rural scenes in thephotographs is further increased by the presence of local people inthem. The Seto ethnic group lived in the estates of Reinhold Karlvon Liphardt and, thanks to their ethnographic uniqueness, drewthe attention of an educated landlord.The photos with individual and group portraits of therepresentatives of the Seto ethnic group are not only vivid evidenceof the Estonian culture in the first decades of the 20th century, butalso striking works of art, whose power of expression elevates themconsiderably above the emotionality and artistic effect of ReinholdKarl von Liphardt’s lyrical landscapes and idyllic family portraits.
期刊介绍:
THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.