从雪莉·s·泰珀的作品分析人类世之外的人类命运

IF 0.2 4区 文学 0 LITERATURE
Weronika Łaszkiewicz
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引用次数: 0

摘要

摘要:本文旨在将雪莉·s·泰珀的两部作品——《美女》(1991)和《天使的瘟疫》三部曲(1993-2014)并列,以展示她对人类世之后人类未来的看法是如何在她的文学生涯中演变的,从神奇的拯救承诺到令人不安的科学进步场景,包括被动的种族灭绝、基因改造和优生学。我的阅读是基于Marek Oziewicz的行星叙事理论,Donna Haraway的Chthulucene概念,以及Joan Gordon的amborg形象,这使得人们能够批判性地评估作者对物种间关系和人类在其他生物中的地位的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analyzing Humanity’s Fate Beyond the Anthropocene in the Works of Sheri S. Tepper
ABSTRACT: The aim of this article is to juxtapose two of Sheri S. Tepper’s works— Beauty (1991) and the Plague of Angels trilogy (1993–2014)—in order to demonstrate how her vision of humanity’s future beyond the Anthropocene evolves or devolves in the course of her literary career, from the promise of magical salvation into a disturbing scenario of scientific advancement involving passive genocide, genetic modification, and eugenics. My reading is grounded in Marek Oziewicz’s theory of planetary narratives, Donna Haraway’s concept of the Chthulucene, and Joan Gordon’s figure of the amborg, which allow one to critically evaluate the author’s perception both of interspecies relations and humanity’s position among other living creatures.
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