以顿河畔罗斯托夫为例的省折衷主义Fasad雕塑:肖像学,符号学,文体学

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Evgenia M. Kishkinova
{"title":"以顿河畔罗斯托夫为例的省折衷主义Fasad雕塑:肖像学,符号学,文体学","authors":"Evgenia M. Kishkinova","doi":"10.21638/spbu15.2023.304","DOIUrl":null,"url":null,"abstract":"The article is devoted to the study of eclectic facade sculpture in the historical center of Rostov-on-Don, considered in accordance with specific neo-styles. Sculpture plays an important compositional role in the design of the facades of Neo-Baroque monuments, emphasizing the rhythmic organization of facades, emphasizing the central and corner parts of buildings. Sculptural decor in the design of facades, designed within the neo-Greek and Neo-Renaissance, obeys the compositional rhythm set by architectural forms, is most often placed in architecturally limited fields, highlights the compositional axes of facades and more actively uses motifs of ancient origin. In general, the iconography of the sculptural decor includes plant motifs (laurel, flower, fruit garlands, flower baskets, acanthus, wreaths, rosettes), images of objects, including symbolic ones (shells, cartouches, caduceus, flowerpots, a cornucopia, a fountain, attributes of industry, trade, sciences and arts, armorial shields), zoomorphic images (mainly lion mascarons, griffins), mixanthropic and anthropomorphic images. Among the latest figurines are putti, mascarons of satyrs, Aphrodite, Hermes; belt herms of Hercules, Omphale, Deianira; sculptures of nymphs, Apollo, Ceres, goddesses of Glory; scenes from the history of Cupid and Psyche. The symbolism of the sculptural decor corresponds to the purpose of the building, expresses the ideas of prosperity and progress: Ceres, Apollo, the goddess of Glory — on the building of the City Duma; musical instruments and theatrical masks — on the theater building; plots symbolizing various types of activities — on the building of the Property Pledge Society; attributes of trade, industry, sciences, arts, mascarons of Hermes and his caduceus, cornucopia — on tenement houses; Hercules, Dejanira, Omphala, Aphrodite’s mascarons are on the mansions. There is a “universalization” of the mascarons of Hermes and his caduceus, which are used everywhere, regional motifs appear (bees, salting fish), the use of neo-style decor on the building, reproducing the type of kuren, is noted. Stylistically, the sculpture is focused mainly on classicism and the Renaissance, using the techniques of mannerism, baroque, rococo. The prototypes are the motifs of the sculptural decoration of famous buildings in St Petersburg, Vienna, Berlin, Brussels, chronologically close to the monuments under consideration.","PeriodicalId":40378,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fasad Sculpture of Provincial Eclectics on the Example of Rostov-on-Don: Iconography, Symbols, Stylistics\",\"authors\":\"Evgenia M. Kishkinova\",\"doi\":\"10.21638/spbu15.2023.304\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the study of eclectic facade sculpture in the historical center of Rostov-on-Don, considered in accordance with specific neo-styles. Sculpture plays an important compositional role in the design of the facades of Neo-Baroque monuments, emphasizing the rhythmic organization of facades, emphasizing the central and corner parts of buildings. Sculptural decor in the design of facades, designed within the neo-Greek and Neo-Renaissance, obeys the compositional rhythm set by architectural forms, is most often placed in architecturally limited fields, highlights the compositional axes of facades and more actively uses motifs of ancient origin. In general, the iconography of the sculptural decor includes plant motifs (laurel, flower, fruit garlands, flower baskets, acanthus, wreaths, rosettes), images of objects, including symbolic ones (shells, cartouches, caduceus, flowerpots, a cornucopia, a fountain, attributes of industry, trade, sciences and arts, armorial shields), zoomorphic images (mainly lion mascarons, griffins), mixanthropic and anthropomorphic images. Among the latest figurines are putti, mascarons of satyrs, Aphrodite, Hermes; belt herms of Hercules, Omphale, Deianira; sculptures of nymphs, Apollo, Ceres, goddesses of Glory; scenes from the history of Cupid and Psyche. The symbolism of the sculptural decor corresponds to the purpose of the building, expresses the ideas of prosperity and progress: Ceres, Apollo, the goddess of Glory — on the building of the City Duma; musical instruments and theatrical masks — on the theater building; plots symbolizing various types of activities — on the building of the Property Pledge Society; attributes of trade, industry, sciences, arts, mascarons of Hermes and his caduceus, cornucopia — on tenement houses; Hercules, Dejanira, Omphala, Aphrodite’s mascarons are on the mansions. There is a “universalization” of the mascarons of Hermes and his caduceus, which are used everywhere, regional motifs appear (bees, salting fish), the use of neo-style decor on the building, reproducing the type of kuren, is noted. Stylistically, the sculpture is focused mainly on classicism and the Renaissance, using the techniques of mannerism, baroque, rococo. The prototypes are the motifs of the sculptural decoration of famous buildings in St Petersburg, Vienna, Berlin, Brussels, chronologically close to the monuments under consideration.\",\"PeriodicalId\":40378,\"journal\":{\"name\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu15.2023.304\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu15.2023.304","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

本文致力于研究顿河畔罗斯托夫历史中心的折衷立面雕塑,根据特定的新风格进行考虑。雕塑在新巴洛克纪念碑的立面设计中起着重要的构图作用,强调立面的韵律组织,强调建筑的中心和角落部分。立面设计中的雕塑装饰,在新希腊和新文艺复兴时期设计,遵循建筑形式设定的构图节奏,最常被放置在建筑有限的领域,突出立面的构图轴,更积极地使用古代起源的主题。一般来说,雕塑装饰的图像包括植物图案(月桂、花、水果花环、花篮、棘花、花圈、玫瑰花),物体图像,包括象征性的物体(贝壳、雕花、仙人掌、花盆、聚宝盆、喷泉、工业、贸易、科学和艺术的属性、盾形纹章),动物形像(主要是狮子面具、狮鹫),混合拟人和拟人图像。在最新的雕像中,有萨提斯、阿佛洛狄忒、赫尔墨斯的雕像;带着赫拉克勒斯、昂法尔、黛阿尼拉的赫尔姆斯;女神、阿波罗、谷瑞斯、荣耀女神的雕塑;丘比特和普赛克的历史场景。雕塑装饰的象征意义与建筑的目的相对应,表达了繁荣和进步的思想:Ceres,阿波罗,荣耀女神-在城市杜马的建筑上;乐器和戏剧面具-在剧院建筑上;象征各类活动的地块——论财产质押协会的建立;贸易、工业、科学、艺术的属性,赫尔墨斯和他的墨丘利斯的雕刻师,聚宝盆——在廉租房屋上;大力神、德贾尼拉、昂法拉、阿芙罗狄蒂的神像都在大厦上。Hermes和他的caduceus的mascarons被“普遍化”,到处都在使用,出现了区域主题(蜜蜂,咸鱼),在建筑上使用了新风格的装饰,再现了kuren的类型。在风格上,雕塑主要集中在古典主义和文艺复兴时期,使用风格主义、巴洛克、洛可可的技术。原型是圣彼得堡、维也纳、柏林、布鲁塞尔著名建筑的雕塑装饰的主题,按时间顺序接近正在考虑的纪念碑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fasad Sculpture of Provincial Eclectics on the Example of Rostov-on-Don: Iconography, Symbols, Stylistics
The article is devoted to the study of eclectic facade sculpture in the historical center of Rostov-on-Don, considered in accordance with specific neo-styles. Sculpture plays an important compositional role in the design of the facades of Neo-Baroque monuments, emphasizing the rhythmic organization of facades, emphasizing the central and corner parts of buildings. Sculptural decor in the design of facades, designed within the neo-Greek and Neo-Renaissance, obeys the compositional rhythm set by architectural forms, is most often placed in architecturally limited fields, highlights the compositional axes of facades and more actively uses motifs of ancient origin. In general, the iconography of the sculptural decor includes plant motifs (laurel, flower, fruit garlands, flower baskets, acanthus, wreaths, rosettes), images of objects, including symbolic ones (shells, cartouches, caduceus, flowerpots, a cornucopia, a fountain, attributes of industry, trade, sciences and arts, armorial shields), zoomorphic images (mainly lion mascarons, griffins), mixanthropic and anthropomorphic images. Among the latest figurines are putti, mascarons of satyrs, Aphrodite, Hermes; belt herms of Hercules, Omphale, Deianira; sculptures of nymphs, Apollo, Ceres, goddesses of Glory; scenes from the history of Cupid and Psyche. The symbolism of the sculptural decor corresponds to the purpose of the building, expresses the ideas of prosperity and progress: Ceres, Apollo, the goddess of Glory — on the building of the City Duma; musical instruments and theatrical masks — on the theater building; plots symbolizing various types of activities — on the building of the Property Pledge Society; attributes of trade, industry, sciences, arts, mascarons of Hermes and his caduceus, cornucopia — on tenement houses; Hercules, Dejanira, Omphala, Aphrodite’s mascarons are on the mansions. There is a “universalization” of the mascarons of Hermes and his caduceus, which are used everywhere, regional motifs appear (bees, salting fish), the use of neo-style decor on the building, reproducing the type of kuren, is noted. Stylistically, the sculpture is focused mainly on classicism and the Renaissance, using the techniques of mannerism, baroque, rococo. The prototypes are the motifs of the sculptural decoration of famous buildings in St Petersburg, Vienna, Berlin, Brussels, chronologically close to the monuments under consideration.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信