Jeppe and Maria Bergmann Hamming的文学-音乐Larp改编

Evan Torner
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引用次数: 0

摘要

本文通过分析Jeppe和Maria Bergmann Hamming的三款基于音乐的黑盒游戏:《Sarabande》(2013年)、《der安吉》(2015年)和《Encore》(2022年)来解决模拟角色扮演游戏作者的问题。随着时间的推移,伯格曼·哈明斯的作品带有他们独特的特征,用审美理想主义和高雅文化来探索人物的颓废和堕落。随着角色扮演游戏越来越多地用于传达历史和遗产,Bergmann hamming的设计模式既展示了对历史的特殊解释,也展示了未来设计师如何将这些材料融入角色扮演形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jeppe and Maria Bergmann Hamming’s Literary-Musical Larp Adaptations
This article addresses the question of analog role-playing game authorship through an analysis of three music-based blackbox larps by Jeppe and Maria Bergmann Hamming: Sarabande (2013), Deranged (2015), and Encore (2022). The Bergmann Hammings’ work over time bears their unique signature, using aesthetic idealism and high culture to explore issues of character decadence and downfall. With the increasing use of role-playing games to convey history and heritage, the Bergmann Hammings’ design patterns both evince a particular interpretation of that history and also demonstrate how future designers might generally adapt such material into role-playable forms.
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