Born twice: A redemptive revisioning uncovering the metaphors of representation

The graphic narrative space is a complex labyrinth of nested stories subtly holding a tension between the visual and the verbal metaphors of representation. Every narrative canvas opens up possibilities of new ways of metaphorical seeing, unravelling the encoded signs of the dominant and the popular. Challenging and dissenting the normative ideas of gender representations, the graphic medium becomes a space to interrogate how the revisioned perspectives from the margins, embody a subversive voice to reclaim and reaffirm identity. This research paper aims to unfold the poetics of metaphorical representation in retellings and how the unconventional visual and verbal underscores an agency and voice to the female characters in the studied graphic narratives. The analysis will uncover how a revisioning of the aesthetics of the visual, the landscape of the mythological and the politics of the contemporary can subvert the traditional discourses that promote a conventional or hegemonic worldview. The paper situates Saraswati Nagpal’s Sita; Daughter of the Earth, Sibaji Bandyopadhyay and Sankha Banerjee’s Panchali: The Game of Dice and Priya’s Mirror by Paromita Vohra and Ram Devineni in the cultural milieu of graphic content that encourages new ways of metaphorical seeing amid the precariousness of identity, ideology and agency of the mythical women characters.