探索旋律轮廓:一种聚类方法

Pub Date : 2023-04-14 DOI:10.31219/osf.io/pkfwx
Michal Goldstein, Roni Granot, Pablo Ripolles, Morwaread Mary Farbood
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引用次数: 0

摘要

以前的研究调查常见的旋律轮廓形状依赖于需要预先假设的方法,关于预期的轮廓模式。本文提出了一种使用降维和无监督机器学习聚类方法来检测轮廓的新方法。这种新方法在四组数据上进行了测试——两组欧洲民歌,一组混合风格的西方音乐精选数据集,以及一组中国民歌。总的来说,结果表明在所有四个数据集中有四种常见的轮廓形状:凸、凹、下降和上升。此外,分析还揭示了一些微观轮廓趋势,如乐句开头的音调稳定和乐句结尾的音调下降。这些结果与前人对旋律轮廓的研究相一致,并对西方音乐中普遍存在的轮廓特征提供了新的认识。
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Exploring Melodic Contour: A Clustering Approach
Previous studies investigating common melodic contour shapes have relied on methodologies that require prior assumptions regarding the expected contour patterns. Here, a new approach for examining contour using dimensionality reduction and unsupervised machine-learning clustering methods is presented. This new methodology was tested across four sets of data — two sets of European folksongs, a mixed-style, curated dataset of Western music, and a set of Chinese folksongs. In general, the results indicate four broad common contour shapes across all four datasets: convex, concave, descending, and ascending. In addition, the analysis revealed some micro-contour tendencies, such as pitch stability at the beginning of phrases and descending pitch at phrase endings. These results are in line with previous studies of melodic contour and provide new insights regarding the prevalent contour characteristics in Western music.
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