{"title":"主导设计理念的变化:《换生灵》中的场景","authors":"David Ashford","doi":"10.3366/count.2023.0308","DOIUrl":null,"url":null,"abstract":"David Ashford's ‘Variations on a Design Concept’ is extracted from a forthcoming experimental novella, Changeling. Its starting point is the the murders that occurred in August 1914 in Taliesin, the Wisconsin home of Frank Lloyd Wright, before it flows into other historical, trans-generational and contemporary frameworks of reference, stretching from mythology to the Cold War and Brexit.","PeriodicalId":42177,"journal":{"name":"CounterText-A Journal for the Study of the Post-Literary","volume":"15 1","pages":"0"},"PeriodicalIF":0.5000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Variations on a Dominant Design Concept: Scenes from <i>Changeling</i>\",\"authors\":\"David Ashford\",\"doi\":\"10.3366/count.2023.0308\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"David Ashford's ‘Variations on a Design Concept’ is extracted from a forthcoming experimental novella, Changeling. Its starting point is the the murders that occurred in August 1914 in Taliesin, the Wisconsin home of Frank Lloyd Wright, before it flows into other historical, trans-generational and contemporary frameworks of reference, stretching from mythology to the Cold War and Brexit.\",\"PeriodicalId\":42177,\"journal\":{\"name\":\"CounterText-A Journal for the Study of the Post-Literary\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CounterText-A Journal for the Study of the Post-Literary\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/count.2023.0308\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CounterText-A Journal for the Study of the Post-Literary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/count.2023.0308","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Variations on a Dominant Design Concept: Scenes from Changeling
David Ashford's ‘Variations on a Design Concept’ is extracted from a forthcoming experimental novella, Changeling. Its starting point is the the murders that occurred in August 1914 in Taliesin, the Wisconsin home of Frank Lloyd Wright, before it flows into other historical, trans-generational and contemporary frameworks of reference, stretching from mythology to the Cold War and Brexit.