深渊、镜子和眼睛:乔丹·皮尔的恐怖

Darío Delgado Rodríguez
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引用次数: 0

摘要

高度恐怖的特点是其极简主义的风格化和深刻的主题,探索人类状况的黑暗面,与传统的商业恐怖电影资源不同。本文以乔丹·皮尔(Jordan Peele)的电影为例,试图深入研究电影的这种循环,深入研究它们的技巧和隐藏在它们所展现的恐怖叙事之下的意义。同样,我们认为,作为意义的强大生成器,这是我们在恐怖电影中发现的贯穿媒体历史的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Abismos, espejos y ojos: el terror elevado a través de Jordan Peele
High terror is characterized by its minimalist stylization and profound themes that explore dark aspects of the human condition, diverging from the conventional resources of commercial horror cinema. Using the cinema of Jordan Peele as an example, this article seeks to delve into this cycle of films, deepening into their techniques and the meanings that are hidden beneath the terror narratives they unfold. Likewise, we propose that as powerful generators of meanings, this is something we find present in horror cinema throughout the history of the medium.
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