叙事理论与神经科学:人性为何重要

IF 0.5 2区 文学 0 LANGUAGE & LINGUISTICS
STYLE Pub Date : 2023-08-01 DOI:10.5325/style.57.3.0241
Joseph Carroll
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引用次数: 0

摘要

保罗·b·阿姆斯特朗的《故事与大脑:叙事的神经科学》和克里斯托弗·科默和阿什利·塔格特的《大脑、心灵和叙事想象》采用了文化建构主义的观点,反对人类动机和情感进化的观点。这两本书所包含的信息都可以与其他研究相结合,形成一个全面的、以经验为基础的叙事理论,但它们都没有构建任何这样的理论。为了避免人文学科从属于科学,科默和塔格特避免整合他们各自独立的学科:神经科学(科默)和叙事理论(塔格特)。他们没有从总结的研究中得出有意义的结论。阿姆斯特朗将神经科学归入现象学和4E认知的悖论。他的散文不是通过连续的推理发展起来的,而是通过自相矛盾的公式的重复语调发展起来的。这两本书在理论建构上的失败,与他们阐明自己观点的解释性批评的弱点是平行的。这些书失败的不同方式有时是滑稽的,但仍然具有教育意义。这些失败无意中指出了人文主义思想的根本变化,这对于成功整合神经科学和叙事理论是必要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narrative Theory and Neuroscience: Why Human Nature Matters
ABSTRACT Stories and the Brain: The Neuroscience of Narrative by Paul B. Armstrong and Brain, Mind, and the Narrative Imagination by Christopher Comer and Ashley Taggart adopt cultural constructivist perspectives that reject the idea of evolved human motives and emotions. Both books contain information that could be integrated with other research in a comprehensive and empirically grounded theory of narrative, but they both fail to construct any such theory. In order to avoid subordinating the humanities to the sciences, Comer and Taggart avoid integrating their separate disciplines: neuroscience (Comer) and narrative theory (Taggart). They draw no significant conclusions from the research they summarize. Armstrong subordinates neuroscience to the paradoxes of phenomenology and 4E cognition. His prose develops not by consecutive reasoning but by the repetitive intonation of paradoxical formulas. The failures in theoretical construction displayed by these two books run parallel with weaknesses in the interpretive criticism with which they illustrate their ideas. The different ways in which the books fail are sometimes comical but nonetheless instructive. The failures inadvertently point toward the radical changes in humanist thinking that would be necessary for success in integrating neuroscience and narrative theory.
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来源期刊
STYLE
STYLE Multiple-
CiteScore
1.30
自引率
0.00%
发文量
21
期刊介绍: Style invites submissions that address questions of style, stylistics, and poetics, including research and theory in discourse analysis, literary and nonliterary genres, narrative, figuration, metrics, rhetorical analysis, and the pedagogy of style. Contributions may draw from such fields as literary criticism, critical theory, computational linguistics, cognitive linguistics, philosophy of language, and rhetoric and writing studies. In addition, Style publishes reviews, review-essays, surveys, interviews, translations, enumerative and annotated bibliographies, and reports on conferences.
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