{"title":"中国现代山水画家对俄罗斯自然意象的解读——以余威的作品为例","authors":"Liao Zhengding","doi":"10.31166/voprosyistorii202308statyi05","DOIUrl":null,"url":null,"abstract":"The article is devoted to identifying the specifics of the creative method of modern Chinese landscape painters who turn to the images of Russia, using the example of the work of the painter Yu Wei. The development of Russian-Chinese relations in the context of art education and art contributes to the formation of a whole generation of foreign masters who are actively working in the context of the Russian artistic space and the country's cultural heritage.","PeriodicalId":46064,"journal":{"name":"VOPROSY ISTORII","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Methods of interpreting the image of Russian nature by modern Chinese landscape painters on the example of the work of Yu Wei\",\"authors\":\"Liao Zhengding\",\"doi\":\"10.31166/voprosyistorii202308statyi05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to identifying the specifics of the creative method of modern Chinese landscape painters who turn to the images of Russia, using the example of the work of the painter Yu Wei. The development of Russian-Chinese relations in the context of art education and art contributes to the formation of a whole generation of foreign masters who are actively working in the context of the Russian artistic space and the country's cultural heritage.\",\"PeriodicalId\":46064,\"journal\":{\"name\":\"VOPROSY ISTORII\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VOPROSY ISTORII\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31166/voprosyistorii202308statyi05\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VOPROSY ISTORII","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31166/voprosyistorii202308statyi05","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Methods of interpreting the image of Russian nature by modern Chinese landscape painters on the example of the work of Yu Wei
The article is devoted to identifying the specifics of the creative method of modern Chinese landscape painters who turn to the images of Russia, using the example of the work of the painter Yu Wei. The development of Russian-Chinese relations in the context of art education and art contributes to the formation of a whole generation of foreign masters who are actively working in the context of the Russian artistic space and the country's cultural heritage.