{"title":"蒙古札那巴扎尔(1634-1723)第一博格葛根在《他的秘密Namtar》和唐卡上的精神传承","authors":"Surun-Khanda D. Syrtypova","doi":"10.1515/modi-2023-2005","DOIUrl":null,"url":null,"abstract":"Abstract The author compares the data of written and pictorial sources related to the most intimate aspect of the life and work of the great Buddhist master Jebzun Damba Khutukhta Undur Gegen Zanabazar. This is the text of his secret namtar, which in Mongolian is usually called “Prayer for the Links of Rebirth” (Mong.: töröl üye-yin jarbiral). The example of this xylograph is kept in the National Library of Mongolia. The basic source for its creation, obviously, was “Jataka mala sugitikatha”, the Tibetan text on the successive line of Tarantha (1575–1634). And the rarest example of Buddhist Mongolian painting of the 17th century is thangka by Zanabazar “The Perfection of Trikaya”, which was kindly provided to the author by the owner of a private collection, B. Amarsana. The thangka is describing for the first time. A detailed analysis of the characters on the painting with the ritual tradition of the Vajrayana reveals the mysterious details of the spiritual practice of Undur Gegen and sets before us new horizons and questions for an in-depth study of Mongolian Buddhism. A comparative study of visual and verbal sources allows us to speak about the Practice of Long Life by the method of the White Chakrasamvara in the tradition of yogini Niguma by Undur Gegen Zanabazar along with the practice of long life by the method of Buddha Amitayus.","PeriodicalId":476749,"journal":{"name":"Mongolian Diaspora Journal of Mongolian History and Culture","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Lineage of Spiritual Succession of the First Bogd Gegen of Mongolia Zanabazar (1634–1723) in His Secret Namtar and on the Thangka\",\"authors\":\"Surun-Khanda D. Syrtypova\",\"doi\":\"10.1515/modi-2023-2005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The author compares the data of written and pictorial sources related to the most intimate aspect of the life and work of the great Buddhist master Jebzun Damba Khutukhta Undur Gegen Zanabazar. This is the text of his secret namtar, which in Mongolian is usually called “Prayer for the Links of Rebirth” (Mong.: töröl üye-yin jarbiral). The example of this xylograph is kept in the National Library of Mongolia. The basic source for its creation, obviously, was “Jataka mala sugitikatha”, the Tibetan text on the successive line of Tarantha (1575–1634). And the rarest example of Buddhist Mongolian painting of the 17th century is thangka by Zanabazar “The Perfection of Trikaya”, which was kindly provided to the author by the owner of a private collection, B. Amarsana. The thangka is describing for the first time. A detailed analysis of the characters on the painting with the ritual tradition of the Vajrayana reveals the mysterious details of the spiritual practice of Undur Gegen and sets before us new horizons and questions for an in-depth study of Mongolian Buddhism. A comparative study of visual and verbal sources allows us to speak about the Practice of Long Life by the method of the White Chakrasamvara in the tradition of yogini Niguma by Undur Gegen Zanabazar along with the practice of long life by the method of Buddha Amitayus.\",\"PeriodicalId\":476749,\"journal\":{\"name\":\"Mongolian Diaspora Journal of Mongolian History and Culture\",\"volume\":\"24 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mongolian Diaspora Journal of Mongolian History and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/modi-2023-2005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mongolian Diaspora Journal of Mongolian History and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/modi-2023-2005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要:作者比较了与佛教大师杰尊丹巴·库图赫塔·乌杜尔·格根·扎那巴扎尔的生活和工作最亲密方面有关的文字和图片资料。这是他的秘密祈祷文,在蒙古语中通常被称为“为重生的链接祈祷”(蒙文)。: töröl ye-yin jarbiral)。这幅木版的样版保存在蒙古国家图书馆。显然,其创作的基本来源是“Jataka mala sugitikatha”,即《塔若塔》(1575-1634)连续行的藏文。17世纪蒙古佛教绘画中最罕见的例子是扎那巴扎尔的唐卡《三卡雅的完美》,这幅画是私人收藏家B. Amarsana好心提供给作者的。这首唐卡是第一次描写。通过对这幅具有金刚乘仪轨传统的画上人物的详细分析,揭示了安都格根精神修行的神秘细节,为我们深入研究蒙古佛教提供了新的视野和问题。通过对视觉和语言资料的比较研究,我们可以讨论一下,在Undur Gegen Zanabazar的瑜伽修行者Niguma的传统中,通过白色脉轮金刚的方法来修炼长寿,以及通过佛陀阿弥陀佛的方法来修炼长寿。
The Lineage of Spiritual Succession of the First Bogd Gegen of Mongolia Zanabazar (1634–1723) in His Secret Namtar and on the Thangka
Abstract The author compares the data of written and pictorial sources related to the most intimate aspect of the life and work of the great Buddhist master Jebzun Damba Khutukhta Undur Gegen Zanabazar. This is the text of his secret namtar, which in Mongolian is usually called “Prayer for the Links of Rebirth” (Mong.: töröl üye-yin jarbiral). The example of this xylograph is kept in the National Library of Mongolia. The basic source for its creation, obviously, was “Jataka mala sugitikatha”, the Tibetan text on the successive line of Tarantha (1575–1634). And the rarest example of Buddhist Mongolian painting of the 17th century is thangka by Zanabazar “The Perfection of Trikaya”, which was kindly provided to the author by the owner of a private collection, B. Amarsana. The thangka is describing for the first time. A detailed analysis of the characters on the painting with the ritual tradition of the Vajrayana reveals the mysterious details of the spiritual practice of Undur Gegen and sets before us new horizons and questions for an in-depth study of Mongolian Buddhism. A comparative study of visual and verbal sources allows us to speak about the Practice of Long Life by the method of the White Chakrasamvara in the tradition of yogini Niguma by Undur Gegen Zanabazar along with the practice of long life by the method of Buddha Amitayus.