当主题内与主题间的功能碰撞:罗伯特·舒曼管弦乐奏鸣曲曲式的合并

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2023-09-26 DOI:10.1093/mts/mtad018

Matthew Poon

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引用次数: 0

摘要

摘要本文分析了舒曼第一、第二交响曲第一乐章的形式融合，以及他的序曲、协奏曲和终曲的结局。在这些作品中，融合来自朱利安·霍顿(Julian Horton, 2015)所说的“合并”——也就是说，之前不同的形式水平相互融合的过程——导致奏鸣曲展示的两个新类别，即二分和不可分割。这些分类有助于解释舒曼管弦乐的一些独特特征，并为理解19世纪的形式提供了新的工具。

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When Intra- and Interthematic Functions Collide: Conflation in Robert Schumann’s Orchestral Sonata Forms

Abstract This article analyzes formal fusion in the first movements of Schumann’s Symphonies Nos. 1 and 2 and the finale of his Overture, Scherzo, and Finale. Within these pieces, fusion results from what Julian Horton (2015) calls “conflation”—that is, a process in which previously distinct formal levels collapse into each other—resulting in two new categories of sonata expositions I term bipartite and undivided. These categories help explain some of the unique features of Schumann’s orchestral music and provide new tools toward understanding nineteenth-century form.

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.