激进资源和参与建筑教育的可能性:自传式空间叙事

IF 1.8 1区 艺术学 0 ARCHITECTURE
Gülşah Aykaç
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引用次数: 0

摘要

本文旨在通过将自传式空间叙事概念化为可能的激进资源和参与途径,为建筑教育的教学领域做出贡献。它试图对课程内容的主流规范和建筑教育中隐藏的排斥和歧视的本地动态提出一种批判性的方法。该方法基于对女权主义、后殖民主义和激进建筑教育学的概念性和批判性分析,并将其与更广泛的女权主义教育学联系起来,这些教育学从激进情绪的角度质疑排斥和歧视机制。第二步,本文分析了在学术课程中有意设计的三个实验,为自传体空间叙事开辟空间,将理论讨论扩展到土耳其迄今为止在很大程度上被忽视的排斥和歧视的具体本地动态。不同的教学方法和自我实验表明,自传式空间叙事是一种适应学生包括强迫迁移在内的多种空间体验的资源。这种多样性的共享创造了参与课堂和工作室的机会,在这里不同的个性、背景和身份都是可见的。这些潜在的资源和参与是开放的情感和影响,是集体的和变革性的,因此是激进的。虽然对建筑教学法的研究仍然有限,但目前的文献不断受到来自不同地区和地区的新研究的支持。目前的研究可能有助于未来的比较阅读和对激进建筑教学法的进一步研究,特别是在全球南方,那里复杂的当地动态可能具有西方经典主导的共性。它还可能开启关于土耳其和其他地方建筑教育中歧视和排斥沉默个人的新讨论。然而,在本文的范围内,基于两年建筑教育的实践经验和观察可能过于有限,无法全面分析自传式空间叙事的应用。本文提出了新的策略,为建筑教育创造包容性、交叉性和非殖民化的知识生产视角和更平等的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The possibility of radical resources and participation in architectural education: autobiographical spatial narratives
Purpose This paper aims to contribute to the pedagogical field of architectural education by conceptualizing autobiographical spatial narratives as possible radical resources and avenues for participation. It seeks to advance a critical approach to the dominant canon of course contents and hidden local dynamics of exclusion and discrimination in architectural education. Design/methodology/approach The methodology is based on conceptual and critical analyses of feminist, postcolonial and radical architectural pedagogies, relating those with broader feminist pedagogies that question exclusion and discrimination mechanisms from the perspective of the radicality of emotions. As a second step, three experiments intentionally designed in academic courses to open space for autobiographical spatial narratives are analysed to extend the theoretical discussion into the specific local dynamics of exclusion and discrimination that have largely been ignored to date in Turkey. Findings Different pedagogical approaches and self-experiments have revealed that autobiographical spatial narratives are a type of resource that accommodates students' diverse spatial experiences including forcible displacement. Sharing that multiplicity creates opportunities for participation in the classroom and studio where different individualities, backgrounds and identities are made visible. These potential resources and participation are open to emotions and affects, are collective and transformative and, therefore, are radical. Research limitations/implications Although research on architectural pedagogies is still limited, the current literature is constantly being empowered by new studies from various geographies and localities. The present study may facilitate future comparative readings and further research on radical architectural pedagogies, particularly within the Global South, where complex local dynamics might share commonalities dominated by the Western canon. It may also open new discussions on discrimination and the exclusion of silenced individuals in architectural education in Turkey and elsewhere. In the scope of this paper, however, the practical experiences and observations based on two years in architectural education may be too limited for a comprehensive analysis of the applications of autobiographical spatial narratives. Originality/value This paper offers novel strategies for creating inclusive, intersectional and decolonized perspectives for knowledge production and more equal spaces in architectural education.
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来源期刊
CiteScore
5.50
自引率
35.50%
发文量
56
期刊介绍: Archnet-IJAR: International Journal of Architectural Research is an interdisciplinary scholarly journal of architecture, urban design and planning, and built environment studies. The journal aims at establishing a bridge between theory and practice in these fields. The journal acts as a platform that reports on the latest research findings for examining buildings and urban environments and debates innovative approaches for creating responsive environments. Archnet-IJAR is truly international and aims at strengthening ties between scholars, academics, and practitioners from the global north and the global south with contributors and readers reaching across the boundaries of cultures and geographies.
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