思想美学

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Udith Dematagoda, Christos Asomatos
{"title":"思想美学","authors":"Udith Dematagoda, Christos Asomatos","doi":"10.1080/0969725x.2023.2243158","DOIUrl":null,"url":null,"abstract":"In this paper we outline a theory that explicates the hypertrophy of the “political” in relation to contemporary art, literature, and culture. Beginning with a critique of Nicholas Bourriaud’s 2016 work The Exform, we interrogate Bourriaud’s engagement with contemporary art and Louis Althusser’s theory of ideology. We approach Bourriaud’s Althusserian source material through a consideration of its reappraisal by Warren Montag, Althusser’s own Lacanian influences, and through some surprising continuities with the thought of controversial German jurist and political theorist Carl Schmitt. Finally, we attempt to synthesize these discussions into our speculative theory of the “Ideological Aesthetic,” which addresses a conceptual gap in past theoretical discourse on ideology.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Ideological Aesthetic\",\"authors\":\"Udith Dematagoda, Christos Asomatos\",\"doi\":\"10.1080/0969725x.2023.2243158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper we outline a theory that explicates the hypertrophy of the “political” in relation to contemporary art, literature, and culture. Beginning with a critique of Nicholas Bourriaud’s 2016 work The Exform, we interrogate Bourriaud’s engagement with contemporary art and Louis Althusser’s theory of ideology. We approach Bourriaud’s Althusserian source material through a consideration of its reappraisal by Warren Montag, Althusser’s own Lacanian influences, and through some surprising continuities with the thought of controversial German jurist and political theorist Carl Schmitt. Finally, we attempt to synthesize these discussions into our speculative theory of the “Ideological Aesthetic,” which addresses a conceptual gap in past theoretical discourse on ideology.\",\"PeriodicalId\":45929,\"journal\":{\"name\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-09-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0969725x.2023.2243158\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0969725x.2023.2243158","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

在本文中,我们概述了一个理论来解释“政治”的肥大与当代艺术、文学和文化的关系。从对尼古拉斯·布里奥2016年作品《改革》的批判开始,我们探讨了布里奥对当代艺术的参与以及路易·阿尔都塞的意识形态理论。我们通过考虑沃伦·蒙塔格对阿尔都塞的重新评价,阿尔都塞自己的拉康学派影响,以及通过一些令人惊讶的与有争议的德国法学家和政治理论家卡尔·施密特思想的连续性,来接近布里奥的阿尔都塞原始材料。最后,我们试图将这些讨论综合到我们的“意识形态美学”的思辨理论中,该理论解决了过去关于意识形态的理论话语中的概念鸿沟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ideological Aesthetic
In this paper we outline a theory that explicates the hypertrophy of the “political” in relation to contemporary art, literature, and culture. Beginning with a critique of Nicholas Bourriaud’s 2016 work The Exform, we interrogate Bourriaud’s engagement with contemporary art and Louis Althusser’s theory of ideology. We approach Bourriaud’s Althusserian source material through a consideration of its reappraisal by Warren Montag, Althusser’s own Lacanian influences, and through some surprising continuities with the thought of controversial German jurist and political theorist Carl Schmitt. Finally, we attempt to synthesize these discussions into our speculative theory of the “Ideological Aesthetic,” which addresses a conceptual gap in past theoretical discourse on ideology.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
33.30%
发文量
57
期刊介绍: Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信