但丁的《阿雷修萨》和《过渡的艺术

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
Lachlan Hughes
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引用次数: 0

摘要

摘要:本文考察了但丁在《炼狱篇》的开头几行中对奥维德在《变形记》中对缪斯和皮里埃德斯之间的歌曲比赛的描述。它认为,奥维德情节对过渡的普遍关注,在其许多嵌入的和离题的故事中可以看到,为但丁在地狱和炼狱之间的文本边界的谈判提供了信息并扩大了。特别是,它声称女神阿雷修莎,她从地下世界“再次看到星星”的旅程占据了奥维德诗歌中最低层次的隐含叙述,作为朝圣者到达炼狱的重要但迄今未被承认的模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dante's Arethusa and the Art of Transition
Abstract: This article examines Dante's allusion in the opening lines of Purgatorio to Ovid's account in the Metamorphoses of the song contest between the Muses and the Pierides. It argues that the Ovidian episode's pervasive concern for transition, seen in its many embedded and digressive tales, informs and amplifies Dante's negotiation of the textual border between Inferno and Purgatorio . In particular, it claims that the nymph Arethusa, whose journey from the underworld to 'see the stars again' occupies the lowest level of embedded narration in Ovid's poem, serves as an important but hitherto unacknowledged model for the pilgrim's arrival in Purgatory.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
157
期刊介绍: With an unbroken publication record since 1905, its 1248 pages are divided between articles, predominantly on medieval and modern literature, in the languages of continental Europe, together with English (including the United States and the Commonwealth), Francophone Africa and Canada, and Latin America. In addition, MLR reviews over five hundred books each year The MLR Supplement The Modern Language Review was founded in 1905 and has included well over 3,000 articles and some 20,000 book reviews. This supplement to Volume 100 is published by the Modern Humanities Research Association in celebration of the centenary of its flagship journal.
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