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引用次数: 0
摘要
摘要:本文从罗恩和苏珊娜·斯科隆(Ron and Suzanne Scollon)关于主题抽象在阿萨巴斯坎文化中作为一种参与式叙事形式的观点开始,将这些观点扩展到一个完全不同的背景下,即现代中国及其内部围绕经济、自由和领导力的文化战争。我们来看看中国的网络流行语是如何作为一种主题抽象形式发挥作用的,这种形式正在中国和世界各地产生重大影响。主题抽象和口头禅都表达了一个简洁的主题,观众必须根据自己的生活经历来填写一个详细的故事。在阿萨巴斯坎文化中,主题抽象产生了基于尊重和拒绝将意义强加于他人的群体内团结。在今天的中国,流行语在年轻一代中引起了一种团结,这种团结是基于拒绝政府和社会对他们自己生活故事的强加。
Thematic Abstraction at Work in the World: A Case Study from China with Global Implications
ABSTRACT: Starting with Ron and Suzanne Scollon's ideas about thematic abstraction as a participatory form of storytelling in Athabaskan culture, this paper extends these ideas to a radically different setting, that of modern day China and its internal cultural wars over the economy, freedom, and leadership. We look at how internet catchphrases in China function as a form of thematic abstraction, one that is giving rise to major consequences in China and across the world. Both thematic abstraction and catchphrases state a concise theme that audiences must fill out into a detailed story based on their own experiences in life. In Athabaskan culture thematic abstraction gives rise to in-group solidarity based on a respect for, and a refusal to impose meaning on, others. In China today, catchphrases are giving rise to a solidarity among the younger generation based on a rejection of governmental and societal impositions on their own stories about their own lives.