再现伊兹密尔国际博览会短暂瞬间的计算界面设计

IF 0.2 0 ART
Daniele Savasta, Elif Kocabıyık Savasta, Emre Gönlügür
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引用次数: 0

摘要

Grouper是一个计算界面设计,即一个基于网络的平台,支持研究人员使用(视觉)数字收藏。这个平台的意义在于研究人员的定位,并为他们提供在研究过程中创建、管理和可视化收集的可能性。数字收藏是工作的核心,具有早期可视化设施,允许以可视化成为研究而不是研究结束时的展示的方式进行迭代。关注伊兹密尔国际(贸易)博览会和定义伊兹密尔历史上重要时期的短暂收藏,本研究和Grouper提出:“数字工具如何帮助追踪,拼凑和理解伊兹密尔国际博览会的设计遗产,其中包括90年来广泛的设计实践和对象?”与伊兹密尔国际博览会的短暂合作推动了对Grouper的新的概念和实践补充,强调了“集合(集合的集合)”和“合作”的概念。由于Grouper计算接口,object-Fair可以通过一个新的镜头来观察,这个镜头是由来自多个来源和人员的集合和协作中包含的多种视觉短暂性提供的。石斑鱼的这个镜头允许创建一个内容和叙述,以前是不可用的,并使重新制定伊兹密尔国际博览会的短暂时刻。在整个作品中,短暂和永恒的概念伴随着我们将短暂拼凑在一起,在数字化收藏中,在Grouper松散、灵活、模块化的研究过程中,在新的叙事中,在短暂的物体和记忆的持久性中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Computational Interface Design to Reenact the Transitory Moments of the Izmir International Fair
Grouper is a computational interface design, i.e. a web-based platform supporting researchers working with (visual) digital collections. The significance of this platform is about the positioning of researchers and offering them the possibility to create, manage and visualise a collection within their research process. Digital collections are central to the work with an early visualisation facility that allows for iterations in a way where visualisation becomes researching rather than a showcase at the end of research. Focusing on the Izmir International (Trade) Fair and ephemera collections that define an important period in Izmir's history, this study and Grouper ask: ‘How can digital tools help to trace, piece together and make sense of the design heritage of the Izmir International Fair, which includes a wide range of design practices and objects spread across nine decades?’ Working with the ephemera of the Izmir International Fair propels new conceptual and practical additions to Grouper, emphasizing the concepts of ‘assemblage (collection of collections)’ and ‘collaboration’. Thanks to the Grouper computational interface, the object-Fair can be observed through a new lens offered by the multiplicity of visual ephemera included in the assemblage and collaboration as a result of collection(s) from multiple sources and people. This lens of Grouper allows the creation of a content and narrative that was not previously available and enables to reenact the transitory moments of Izmir International Fair. Throughout this work, notions of transience and permanence accompany us in piecing ephemera together, in digitising collections, in Grouper's loose, flexible, modular structured research process, and in the persistence of transient objects and memories in new narratives.
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CiteScore
0.20
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