亚瑟·叔本华对音乐剧目、节奏和意愿的追求

Wika Dwi Darma, Jonathan Jonathan, Frenky Albert Timotius, Jasmine Ambun Sintalegawa, Aprianto Wirawan
{"title":"亚瑟·叔本华对音乐剧目、节奏和意愿的追求","authors":"Wika Dwi Darma, Jonathan Jonathan, Frenky Albert Timotius, Jasmine Ambun Sintalegawa, Aprianto Wirawan","doi":"10.55681/seikat.v2i5.962","DOIUrl":null,"url":null,"abstract":"The purpose of this research paper is to explore the extent of Arthur Schopenhauer's thoughts in seeing and penetrating ideas, desires, preferences, and plausibility through distancing, colliding, and giving meaning when he encounters music, social issues, and multi-disciplines without losing the self-image of music. Qualitative research with data search on previous writings through journals as a secondary source became a room to argue Arthur Schopenhauer's thoughts with intelligence, non-simplification of something complex and enjoy without the need for validation. Results show that the objectivation of the will as Arthur Schopenhauer's central idea leads to visual space in the frame of images, songs, lyrics, narratives, processes, and struggles as the essence of music that permeates and boils down to reflection and asceticism.","PeriodicalId":498742,"journal":{"name":"SEIKAT Jurnal Ilmu Sosial Politik dan Hukum","volume":"PC-24 4","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ARTHUR SCHOPENHAUER'S QUEST OF MUSICAL REPERTORY, ARHYTHMIA AND WILLINGNESS\",\"authors\":\"Wika Dwi Darma, Jonathan Jonathan, Frenky Albert Timotius, Jasmine Ambun Sintalegawa, Aprianto Wirawan\",\"doi\":\"10.55681/seikat.v2i5.962\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this research paper is to explore the extent of Arthur Schopenhauer's thoughts in seeing and penetrating ideas, desires, preferences, and plausibility through distancing, colliding, and giving meaning when he encounters music, social issues, and multi-disciplines without losing the self-image of music. Qualitative research with data search on previous writings through journals as a secondary source became a room to argue Arthur Schopenhauer's thoughts with intelligence, non-simplification of something complex and enjoy without the need for validation. Results show that the objectivation of the will as Arthur Schopenhauer's central idea leads to visual space in the frame of images, songs, lyrics, narratives, processes, and struggles as the essence of music that permeates and boils down to reflection and asceticism.\",\"PeriodicalId\":498742,\"journal\":{\"name\":\"SEIKAT Jurnal Ilmu Sosial Politik dan Hukum\",\"volume\":\"PC-24 4\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SEIKAT Jurnal Ilmu Sosial Politik dan Hukum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.55681/seikat.v2i5.962\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SEIKAT Jurnal Ilmu Sosial Politik dan Hukum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55681/seikat.v2i5.962","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本研究论文的目的是在不失去音乐自我形象的前提下,探索叔本华在面对音乐、社会问题和多学科时,通过距离、碰撞和赋予意义,看到和穿透思想、欲望、偏好和合理性的程度。定性研究通过期刊作为次要来源对以前的著作进行数据搜索,成为论证亚瑟叔本华思想的空间,具有智慧,不简化复杂的东西,无需验证即可享受。结果表明,作为叔本华中心思想的意志的客观化导致了图像、歌曲、歌词、叙事、过程和斗争框架中的视觉空间,这是音乐的本质,渗透并归结为反思和禁欲主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ARTHUR SCHOPENHAUER'S QUEST OF MUSICAL REPERTORY, ARHYTHMIA AND WILLINGNESS
The purpose of this research paper is to explore the extent of Arthur Schopenhauer's thoughts in seeing and penetrating ideas, desires, preferences, and plausibility through distancing, colliding, and giving meaning when he encounters music, social issues, and multi-disciplines without losing the self-image of music. Qualitative research with data search on previous writings through journals as a secondary source became a room to argue Arthur Schopenhauer's thoughts with intelligence, non-simplification of something complex and enjoy without the need for validation. Results show that the objectivation of the will as Arthur Schopenhauer's central idea leads to visual space in the frame of images, songs, lyrics, narratives, processes, and struggles as the essence of music that permeates and boils down to reflection and asceticism.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信