《梦与酒》:柏拉图《理想国》中的结构和谐与音乐束缚

Iván de Los Ríos
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引用次数: 0

摘要

柏拉图的对话录清楚地表明,在古希腊,音乐不仅是一种慰藉,也不仅仅是一种娱乐。音乐是产生、改善和延续精神认同和政治共同体的一种文化手段:城邦的精神和条件是必不可少的。音乐不是储存在社会精英的封闭的箱子里,也不是存放在博学的宫殿里:它属于日常生活的更表皮的维度,从这个意义上说,它成为伦理反思(如何个人和集体生活)、教育学(如何为共同生活教育)和政治(如何统治和如何被统治)领域内的一个紧迫话题。本文强调了柏拉图音乐的教育维度,特别关注它的双重性质(治疗和毒害)和它的能力,既具有建设性(自我和城邦)又具有破坏性(心理和政治稳定)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“…COMO EL SUEÑO Y LA BEBIDA”: ARMONÍA ESTRUCTURAL Y SERVIDUMBRE MUSICAL EN LA REPÚBLICA DE PLATÓN
Plato’s dialogues clearly show that, in Ancient Greece, music is not a balm nor mere amusement. Music is a cultural device of production, improvement and perpetuation of psychic identity and political community: ethos and condition sine qua non of the polis. Music is not stored in the hermetic chest of social elites nor in the palace of erudition: it belongs to the more epidermic dimension of daily life, and, in that sense, it becomes an urgent topic within the realms of ethical reflection (how to live individually and collectively), pedagogic (how to educate for common life) and political (how to rule and how to be ruled). This paper underlines the educational dimension of music in Plato, paying special attention to its bifrontal nature (remedy and poison) and its capacities, both constructive (of the Self and the Polis) and destructive (of psychic and political stability).
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