音乐制作中音色变换的语义描述

R. Stables, B. D. Man, Sean Enderby, J. Reiss, György Fazekas, Thomas Wilmering
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引用次数: 26

摘要

在音乐制作中,描述性术语用于定义可感知的声音转换。通过理解与这些描述相关的潜在统计特征,我们可以使用自然语言帮助检索上下文相关的处理参数,并创建能够协助音频工程的智能系统。在这项研究中,我们提出了一个数据集的分析,其中包含使用一系列处理模块收集的描述性术语,嵌入在数字音频工作站中。通过将层次聚类应用于音频特征空间,我们证明了变换类内部和转换类之间存在术语表示的相似性。此外,术语在低维音色空间中的组织可以用尺寸和不和谐等感知概念来解释。最后,我们通过执行潜在语义索引来显示基于词频的相似分组。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semantic Description of Timbral Transformations in Music Production
In music production, descriptive terminology is used to define perceived sound transformations. By understanding the underlying statistical features associated with these descriptions, we can aid the retrieval of contextually relevant processing parameters using natural language, and create intelligent systems capable of assisting in audio engineering. In this study, we present an analysis of a dataset containing descriptive terms gathered using a series of processing modules, embedded within a Digital Audio Workstation. By applying hierarchical clustering to the audio feature space, we show that similarity in term representations exists within and between transformation classes. Furthermore, the organisation of terms in low-dimensional timbre space can be explained using perceptual concepts such as size and dissonance. We conclude by performing Latent Semantic Indexing to show that similar groupings exist based on term frequency.
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