{"title":"绘画的不可解释性","authors":"Mei-lan Li","doi":"10.56028/iajhss.1.1.9","DOIUrl":null,"url":null,"abstract":"Goethe once said that everyone could see materials, but connotation was only found by those who dealt with it, and form was a secret to the majority of people. This article is aim to discuss the currently situation of contemporary easel painting and its de-interpretation,from the development of easel painting,i present the irreplaceable visual sense,and therefore ,to offer a referent direction about the easel painting’s future.","PeriodicalId":216977,"journal":{"name":"International Academic Journal of Humanities and Social Sciences","volume":"291 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Non-interpretability of Painting\",\"authors\":\"Mei-lan Li\",\"doi\":\"10.56028/iajhss.1.1.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Goethe once said that everyone could see materials, but connotation was only found by those who dealt with it, and form was a secret to the majority of people. This article is aim to discuss the currently situation of contemporary easel painting and its de-interpretation,from the development of easel painting,i present the irreplaceable visual sense,and therefore ,to offer a referent direction about the easel painting’s future.\",\"PeriodicalId\":216977,\"journal\":{\"name\":\"International Academic Journal of Humanities and Social Sciences\",\"volume\":\"291 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Academic Journal of Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56028/iajhss.1.1.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Academic Journal of Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56028/iajhss.1.1.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Goethe once said that everyone could see materials, but connotation was only found by those who dealt with it, and form was a secret to the majority of people. This article is aim to discuss the currently situation of contemporary easel painting and its de-interpretation,from the development of easel painting,i present the irreplaceable visual sense,and therefore ,to offer a referent direction about the easel painting’s future.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
