{"title":"“永远不要隐藏你是谁”","authors":"Sabrina Mittermeier, Mareike Spychala","doi":"10.3828/liverpool/9781789621761.003.0018","DOIUrl":null,"url":null,"abstract":"After 50 years of franchise history, Star Trek has finally welcomed major canon queer characters in the form of Lt. Paul Stamets and his partner, Dr. Hugh Culber, counteracting an exclusion of LGBTQ characters that has been more than jarring for a famously liberal franchise. This essay argues that Discovery successfully normalizes queerness without reducing the characters to their sexual orientation – while, however, remaining fairly homonormative. The chapter further argues that by explicit intertextual references to the original Star Trek, the series also gestures to and brings to the forefront some of the queer subtext and potential that has so long been explored by fans. It also delves into representation and “actorvism” by out gay actors Anthony Rapp and Wilson Cruz behind the screen to note the ways in which representation before and behind the camera often still go hand in hand.","PeriodicalId":340761,"journal":{"name":"Fighting for the Future","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Never Hide Who You Are’\",\"authors\":\"Sabrina Mittermeier, Mareike Spychala\",\"doi\":\"10.3828/liverpool/9781789621761.003.0018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After 50 years of franchise history, Star Trek has finally welcomed major canon queer characters in the form of Lt. Paul Stamets and his partner, Dr. Hugh Culber, counteracting an exclusion of LGBTQ characters that has been more than jarring for a famously liberal franchise. This essay argues that Discovery successfully normalizes queerness without reducing the characters to their sexual orientation – while, however, remaining fairly homonormative. The chapter further argues that by explicit intertextual references to the original Star Trek, the series also gestures to and brings to the forefront some of the queer subtext and potential that has so long been explored by fans. It also delves into representation and “actorvism” by out gay actors Anthony Rapp and Wilson Cruz behind the screen to note the ways in which representation before and behind the camera often still go hand in hand.\",\"PeriodicalId\":340761,\"journal\":{\"name\":\"Fighting for the Future\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Fighting for the Future\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/liverpool/9781789621761.003.0018\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fighting for the Future","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781789621761.003.0018","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
经过50年的系列历史,《星际迷航》终于迎来了主要的经典酷儿角色——保罗·斯塔蒙茨中尉(Lt. Paul Stamets)和他的搭档休·卡尔伯博士(Dr. Hugh Culber),这抵消了对LGBTQ角色的排斥,这对一部以自由著称的系列电影来说不仅仅是不和谐。这篇文章认为,《发现》成功地将酷儿正常化,而没有将角色贬低为他们的性取向——然而,保持了相当的同性性取向。这一章进一步指出,通过对原版《星际迷航》的明确互文引用,该系列也向粉丝们展示了一些长期以来一直在探索的酷儿潜台词和潜力。它还深入探讨了同性恋演员安东尼·拉普(Anthony Rapp)和威尔逊·克鲁兹(Wilson Cruz)在银幕后的表现和“行为主义”,以注意到镜头前和镜头后的表现往往仍然是齐头并进的。
After 50 years of franchise history, Star Trek has finally welcomed major canon queer characters in the form of Lt. Paul Stamets and his partner, Dr. Hugh Culber, counteracting an exclusion of LGBTQ characters that has been more than jarring for a famously liberal franchise. This essay argues that Discovery successfully normalizes queerness without reducing the characters to their sexual orientation – while, however, remaining fairly homonormative. The chapter further argues that by explicit intertextual references to the original Star Trek, the series also gestures to and brings to the forefront some of the queer subtext and potential that has so long been explored by fans. It also delves into representation and “actorvism” by out gay actors Anthony Rapp and Wilson Cruz behind the screen to note the ways in which representation before and behind the camera often still go hand in hand.