{"title":"巴尼特马德故事中的男子气概:社会经济压力下的性别动态重组","authors":"Nina Khamsy","doi":"10.3366/edinburgh/9781474477611.003.0010","DOIUrl":null,"url":null,"abstract":"This chapter shows how Banietemad exposes social crisis in its reordering of gender relations. By examining the vignettes of everyday life which make up Tales, Khamsy discusses how Banietemad’s camera lyrically conveys gender reshuffling, thereby confronting the bigger question of imbalance in studies of gender in Iranian cinema.","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":"121 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures\",\"authors\":\"Nina Khamsy\",\"doi\":\"10.3366/edinburgh/9781474477611.003.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter shows how Banietemad exposes social crisis in its reordering of gender relations. By examining the vignettes of everyday life which make up Tales, Khamsy discusses how Banietemad’s camera lyrically conveys gender reshuffling, thereby confronting the bigger question of imbalance in studies of gender in Iranian cinema.\",\"PeriodicalId\":404586,\"journal\":{\"name\":\"ReFocus: The Films of Rakhshan Banietemad\",\"volume\":\"121 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Rakhshan Banietemad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474477611.003.0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Masculinities in Banietemad’s Tales: Reshuffling Gender Dynamics under Socio-economic Pressures
This chapter shows how Banietemad exposes social crisis in its reordering of gender relations. By examining the vignettes of everyday life which make up Tales, Khamsy discusses how Banietemad’s camera lyrically conveys gender reshuffling, thereby confronting the bigger question of imbalance in studies of gender in Iranian cinema.
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