考察情感词汇与性别之间的偶然性:来自#MeToo运动媒体语料库的证据

Roopak Kumar, Shashikanta Tarai
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摘要

性别不平等是通过战略性地使用代表现实世界权力结构的语言来构建和索引的。最近,印度版的全球女权运动“我也是印度”(# meooindia)为探索情感表达的性别刻板印象提供了一个学术机会。尽管一些研究人员已经研究了#MeToo的社会文化维度,但对这一运动的基于语料库的语言分析尚未进行重大探索。因此,本研究探讨了媒体文本中男性和女性性别的情感表征的话语关联。考虑到印度男权意识形态、权力和性别刻板印象的社会本质,我们假设印度大众媒体作为一个强大的政治行动者,可能会将更多的积极词汇归因于男性代词he,而将更多的消极标记归因于女性代词she。采用搭配与一致性方法的语料库框架,从印刷媒体中提取#MeToo的文本体裁。我们的研究结果显示,尽管“我也是”运动的新闻提升了女性演员的地位,并在很大程度上使代词“她”(she)处于指代地位,但文本的叙述将更多积极的情感标记赋予了男性社会演员。总体而言,本研究得出结论,#MeToo作为一项性别运动,面临着针对女性性受害者的战略性语言抵制,有利于男性行动者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Examining the contingency between emotional words and genders: Evidence from the media corpus of #MeToo movement
Gender inequalities are linguistically constructed and indexed through the strategic use of language representing the power structure in the physical world. Recently, #MeTooIndia, an Indian version of the global feminist movement, provided a scholarly opportunity to explore the gender stereotypes of emotional expressions. Even though some researchers have studied the sociocultural dimensions of #MeToo, the corpus-based linguistic analysis of this movement has yet to be explored significantly. Therefore, the current study investigated the discursive association of emotional representation of masculine and feminine genders in media texts. Given the societal nature of Indian patriarchal ideologies, power and gender stereotypes, we hypothesize that Indian mass media, as a powerful political actor, may attribute more positive lexicons to the masculine pronoun he and more negative markers to the feminine pronoun she. Textual genres of #MeToo were extracted from the print media by using the corpus framework of collocational and concordance methods. Our results revealed that, though the news of #MeToo heightened the feminine actor and largely produced the pronoun she in the referential position, the narratives of texts assigned more positive emotive markers to the masculine social actors. Overall, this study concludes that #MeToo as a gender movement has faced strategic linguistic resistance against feminine sexual victims, favouring the masculine actors.
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