从对抗成人权威到对抗异性

Michelle Ann Abate
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摘要

第三章考察马乔里·亨德森的《布尔的小露露》。从20世纪30年代起,这个标志性的人物就一直在《星期六晚邮报》(Saturday Evening Post)工作,到50年代的漫画书中,她的角色经历了无数次的转变。一个引人注目但以前被忽视的变化是露露反叛的本质。在单面搞笑漫画中,这个小女孩以她的滑稽动作吸引了绝大多数成年人。与此同时,在漫画书中,她的死敌是一帮邻居男孩。从战前的小露露参与代际冲突到战后的代际冲突,这种变化形成了一个引人注目的、以前未被探索的方面,揭示了这个角色在不同印刷形式下发生的文学、艺术和文化变化。从20世纪30年代儿童与成人的对立情节到50年代女孩与男孩的对立情节的转变,反映了美国文化在儿童性别和儿童性别隔离方面的更大转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Battling Adult Authority to Battling the Opposite Sex
Chapter Three examines Marjorie Henderson's Buell's Little Lulu.When the now iconic figure moved from The Saturday Evening Post where she had resided since the 1930s to comic books during the 1950s, her character underwent numerous transformations.One compelling but formerly overlooked change is the nature of Lulu's rebellion.In the single-panel gag comics, the young girl was overwhelmingly targeting adults with her antics.Meanwhile, in the comic books, her sworn enemy is the gang of neighborhood boys. This modification from Little Lulu engaging in intergenerational conflicts during the pre-war era to intragenerational ones during the postwar period forms a compelling and previously unexplored facet to the literary, artistic, and cultural alterations that took place to this character across different print formats.The shift from plots that pitted children against adults in the 1930s to ones that pitted girls against boys in the 1950s reflects larger shifts in American culture regarding the gendering of children and the sexual segregation of childhood.
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