{"title":"社论:维多利亚和阿尔伯特博物馆的戏剧和表演部门受到威胁","authors":"Jim Davis, J. Norwood, Patricia Smyth, S. Weltman","doi":"10.1177/17483727211008621","DOIUrl":null,"url":null,"abstract":"The largest and most significant archive devoted to the history of British theatre is hosted by the Victoria andAlbertMuseum and is now referred to as the Theatre and Performance collections. Originally known as the Enthoven collection, it was established in 1924 by Gabrielle Enthoven, who had lobbied for such a collection to be established for many years. In 1911 Enthoven proposed in a letter to the Observer:","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Editorial: Theatre and Performance Department at the Victoria and Albert Museum Under Threat\",\"authors\":\"Jim Davis, J. Norwood, Patricia Smyth, S. Weltman\",\"doi\":\"10.1177/17483727211008621\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The largest and most significant archive devoted to the history of British theatre is hosted by the Victoria andAlbertMuseum and is now referred to as the Theatre and Performance collections. Originally known as the Enthoven collection, it was established in 1924 by Gabrielle Enthoven, who had lobbied for such a collection to be established for many years. In 1911 Enthoven proposed in a letter to the Observer:\",\"PeriodicalId\":286523,\"journal\":{\"name\":\"Nineteenth Century Theatre and Film\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth Century Theatre and Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17483727211008621\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth Century Theatre and Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17483727211008621","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Editorial: Theatre and Performance Department at the Victoria and Albert Museum Under Threat
The largest and most significant archive devoted to the history of British theatre is hosted by the Victoria andAlbertMuseum and is now referred to as the Theatre and Performance collections. Originally known as the Enthoven collection, it was established in 1924 by Gabrielle Enthoven, who had lobbied for such a collection to be established for many years. In 1911 Enthoven proposed in a letter to the Observer:
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