“直到我死或破产”

T. Lewis
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引用次数: 0

摘要

这一章评估了AM的逐渐淡出,因为听众更喜欢FM提供的更好的声音质量和无静电接收。它着眼于商业广播公司如何利用联邦通信委员会、广告的力量和电视的新力量来阻碍调频的战后发展。当然,在培养RCA与委员会成员之间的友好合作精神方面,没有哪位通讯业高管比大卫•萨尔诺夫更勤勉。展望战争的结束和和平带来的通信新时代,这一章接着叙述了1944年秋天关于无线电频谱频率分配的听证会。讨论了调频电台频谱分配的变化和功率的变化。本章深入探讨了频带频率分配的变化,单一市场计划的采用,以及AM程序的重复。然后,它回顾了这如何减弱了FM对网络广播行业的威胁,并剥夺了霍华德·阿姆斯特朗(Howard Armstrong)因其发明而获得巨额收入的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Until I’m Dead or Broke”
This chapter assesses the gradual fade out of AM as listeners prefer the finer quality of sound and static-free reception that FM offered. It looks at how commercial broadcasters use the Federal Communications Commission, the power of advertising, and the new power of television to hinder the postwar development of FM. Certainly, no communications executive worked more assiduously than David Sarnoff to cultivate a cordial spirit of cooperation between RCA and members of the commission. Looking to the end of the war and the new era of communications that would come with peace, the chapter then recounts the hearings in the fall of 1944 about frequency allocations in the radio spectrum. It discusses the changes in the allocation of the spectrum and changes in the power of FM stations. The chapter delves into the changes in band frequency allocation, the adoption of the single market plan, and the duplication of AM programs. It then reviews how this dulled the threat of FM to the network broadcast industry and denied Howard Armstrong the chance to collect great sums on his invention.
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