{"title":"1. 美国诗歌的两个特点","authors":"D. Caplan","doi":"10.1093/actrade/9780190640194.003.0001","DOIUrl":null,"url":null,"abstract":"“American poetry’s two characteristics” explains the two characteristics which mark American poetry. On the one hand, several of its major figures promoted American poetry as essentially different from any other nation’s. Although the reasons they offer vary, they typically claim that American experience demands a different kind of expression. Such poets advocate for novelty, for a break with what is perceived to be outmoded and foreign. On the other hand, American poetry might be more rightly called profoundly transnational. American poetry often welcomes techniques, styles, and traditions originating from outside it. The two characteristics do not exist separately from each other. Rather, they work in a productive dialectic, inspiring both individual accomplishment and the broader field. Examples include Anne Bradstreet, Elizabeth Bishop, Wallace Stevens, and Langston Hughes.","PeriodicalId":422858,"journal":{"name":"American Poetry: A Very Short Introduction","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"1. American poetry’s two characteristics\",\"authors\":\"D. Caplan\",\"doi\":\"10.1093/actrade/9780190640194.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“American poetry’s two characteristics” explains the two characteristics which mark American poetry. On the one hand, several of its major figures promoted American poetry as essentially different from any other nation’s. Although the reasons they offer vary, they typically claim that American experience demands a different kind of expression. Such poets advocate for novelty, for a break with what is perceived to be outmoded and foreign. On the other hand, American poetry might be more rightly called profoundly transnational. American poetry often welcomes techniques, styles, and traditions originating from outside it. The two characteristics do not exist separately from each other. Rather, they work in a productive dialectic, inspiring both individual accomplishment and the broader field. Examples include Anne Bradstreet, Elizabeth Bishop, Wallace Stevens, and Langston Hughes.\",\"PeriodicalId\":422858,\"journal\":{\"name\":\"American Poetry: A Very Short Introduction\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American Poetry: A Very Short Introduction\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/actrade/9780190640194.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Poetry: A Very Short Introduction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/actrade/9780190640194.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“American poetry’s two characteristics” explains the two characteristics which mark American poetry. On the one hand, several of its major figures promoted American poetry as essentially different from any other nation’s. Although the reasons they offer vary, they typically claim that American experience demands a different kind of expression. Such poets advocate for novelty, for a break with what is perceived to be outmoded and foreign. On the other hand, American poetry might be more rightly called profoundly transnational. American poetry often welcomes techniques, styles, and traditions originating from outside it. The two characteristics do not exist separately from each other. Rather, they work in a productive dialectic, inspiring both individual accomplishment and the broader field. Examples include Anne Bradstreet, Elizabeth Bishop, Wallace Stevens, and Langston Hughes.