莱索戈尔斯卡陶瓷板在神圣建筑装饰中的纪念性构图

B. Kostuch, Polska Muzeum Narodowe w Krakowie
{"title":"莱索戈尔斯卡陶瓷板在神圣建筑装饰中的纪念性构图","authors":"B. Kostuch, Polska Muzeum Narodowe w Krakowie","doi":"10.15584/setde.2020.13.6","DOIUrl":null,"url":null,"abstract":"Ceramic panels produced since 1960 in the “Kamionka” cooperative in Łysa Góra are one of the most versatile materials used for architectural decorations. They made it possible to create small “ceramic accents” as well as large-scale and monumental works. Compositions made of Łysa Góra panels, at first found mainly in secular buildings, started to appear in church architecture from the mid-1960s. The earliest was the cladding on the facade of the Chapel of the Holy Cross in Piaseczno by Krzysztof Henisz in 1965. The article presents realisations found in Polish and foreign churches. Most of the discussed compositions were created in the period when new rules of organisation resulting from the recommendations of the Second Vatican Council were introduced into church interiors. This important theme is also highlighted in the article. The last mentioned work – the altar wall in Harmęże by Anna Praxmayer – was created in the 21st century, just before the definitive demise of the factory in Łysa Góra.","PeriodicalId":385479,"journal":{"name":"Sacrum et Decorum","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Monumentalne kompozycje z łysogórskich płyt ceramicznych w wystroju budowli sakralnych\",\"authors\":\"B. Kostuch, Polska Muzeum Narodowe w Krakowie\",\"doi\":\"10.15584/setde.2020.13.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ceramic panels produced since 1960 in the “Kamionka” cooperative in Łysa Góra are one of the most versatile materials used for architectural decorations. They made it possible to create small “ceramic accents” as well as large-scale and monumental works. Compositions made of Łysa Góra panels, at first found mainly in secular buildings, started to appear in church architecture from the mid-1960s. The earliest was the cladding on the facade of the Chapel of the Holy Cross in Piaseczno by Krzysztof Henisz in 1965. The article presents realisations found in Polish and foreign churches. Most of the discussed compositions were created in the period when new rules of organisation resulting from the recommendations of the Second Vatican Council were introduced into church interiors. This important theme is also highlighted in the article. The last mentioned work – the altar wall in Harmęże by Anna Praxmayer – was created in the 21st century, just before the definitive demise of the factory in Łysa Góra.\",\"PeriodicalId\":385479,\"journal\":{\"name\":\"Sacrum et Decorum\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sacrum et Decorum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15584/setde.2020.13.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sacrum et Decorum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15584/setde.2020.13.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

自1960年以来,在Łysa Góra的“Kamionka”合作社生产的陶瓷板是用于建筑装饰的最通用材料之一。它们使小型的“陶瓷口音”以及大型的纪念性作品成为可能。Łysa Góra面板的组合,最初主要用于世俗建筑,从20世纪60年代中期开始出现在教堂建筑中。最早的是1965年由krzysztofhenisz设计的皮亚谢奇诺圣十字教堂外立面的包层。这篇文章介绍了波兰和外国教会的实现。大多数讨论的作品都是在梵蒂冈第二次大公会议的建议下产生的新组织规则被引入教堂内部的时期创作的。这篇文章也强调了这个重要的主题。最后提到的作品是Anna Praxmayer在Harmęże的祭坛墙,它创作于21世纪,就在Łysa Góra的工厂最终消亡之前。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Monumentalne kompozycje z łysogórskich płyt ceramicznych w wystroju budowli sakralnych
Ceramic panels produced since 1960 in the “Kamionka” cooperative in Łysa Góra are one of the most versatile materials used for architectural decorations. They made it possible to create small “ceramic accents” as well as large-scale and monumental works. Compositions made of Łysa Góra panels, at first found mainly in secular buildings, started to appear in church architecture from the mid-1960s. The earliest was the cladding on the facade of the Chapel of the Holy Cross in Piaseczno by Krzysztof Henisz in 1965. The article presents realisations found in Polish and foreign churches. Most of the discussed compositions were created in the period when new rules of organisation resulting from the recommendations of the Second Vatican Council were introduced into church interiors. This important theme is also highlighted in the article. The last mentioned work – the altar wall in Harmęże by Anna Praxmayer – was created in the 21st century, just before the definitive demise of the factory in Łysa Góra.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信