谦卑的诗学:伊丽莎白·毕晓普和罗伯特·洛厄尔的动物伦理学

Toshiaki Komura
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摘要

尽管道德哲学出现了“文学转向”,这是由文学中的后结构、后现代潮流和对亚里士多德哲学中的美德伦理学重新产生兴趣的汇合促成的,但动物伦理学领域在很大程度上避免了与文学的接触。尽管伊丽莎白·毕晓普和罗伯特·洛厄尔的全部作品中包含了许多以动物为主题的诗歌,但他们在动物伦理话语中仍然相对不引人注目,部分原因是他们的诗歌经常被认为是用动物作为比喻,而不是关于动物的。本文从动物伦理的角度重读毕夏普和洛厄尔的动物诗。本文通过对毕肖普和洛厄尔的动物诗歌(从《驼鹿》、《天鹅》到《trouvsame》和《乌龟》)的仔细分析,探讨毕肖普和洛厄尔的动物诗歌是如何以一种对动物的不可知性的意识和尊重来谈论这些动物的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetics of Humility: Animal Ethics in Elizabeth Bishop and Robert Lowell
Despite the “literary turn” in moral philosophy, which was precipitated by the confluence of post-structural, postmodern currents in literature and a renewed interest in Aristotle’s virtue ethics in philosophy, the field of animal ethics has largely refrained from engaging with literature. Although the oeuvres of Elizabeth Bishop and Robert Lowell include numerous poems that feature animals, they remain relatively inconspicuous in animal ethics discourse, in part because their poems have often been assumed to use animals as figurations, rather than being about animals. This article rereads Bishop’s and Lowell’s animal poems through the lens of animal ethics. Through a close analysis of Bishop’s and Lowell’s animal poems ranging from “The Moose” and “The Swan” to “Trouvée” and “Turtle,” this essay examines how Bishop’s and Lowell’s animal poems speak to and about those animals with an awareness of, and deference to, their unknowability.
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