“我们要开战了。”“阿富汗战争纪录片中的自卫与责任叙事”

Axel Heck, G. Schlag
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引用次数: 0

摘要

本卷的大部分章节集中在外交和学术战争论述上。相比之下,阿克塞尔·赫克和加比·施拉格更仔细地研究了战争的文化表征:在本章中,他们展示了两部关于阿富汗战争的纪录片《雷斯特雷波》(D:塞巴斯蒂安·荣格/蒂姆·赫瑟林顿,2010年)及其续集《科伦加尔》(D:塞巴斯蒂安·荣格,2014年)如何制作正当性叙事,再现了基于自卫和责任的全球秩序的规范性。这些纪录片提供了难得的机会,让我们看到“暴力管理者”如何在战斗中行动,以及他们如何反思自己行为的规范性。赫克和施拉格认为,那些从事道德和情感上矛盾的战争事业并遭受暴力创伤后果的人的经历,为雷斯特雷波和科伦加尔等纪录片创造了一种公开分享的战争想象,开辟了一种新的视角来看待正当性。纪录片通过让这些士兵、他们的身体和情感可见,并为他们发声,代表了一种经常被忽视和边缘化的主观立场,这种立场在IR的战争正当化方法中经常被忽视和边缘化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘We Are Going to War.’ Narratives of Self-Defence and Responsibility in Afghanistan War Documentaries
Most chapters in this volume focus on diplomatic and scholarly war discourses. In contrast, Axel Heck and Gabi Schlag take a closer look at cultural representations of war: In this chapter, they show how two documentary films about the Afghanistan war—Restrepo (D: Sebastian Junger/Tim Hetherington, 2010) and its sequel Korengal (D: Sebastian Junger, 2014)—craft justification narratives that reproduce the normativity of a global order based on self-defence and responsibility. These documentaries offer rare opportunities to see how the ‘managers of violence’ act in combat and how they reflect upon the normativity of their doings. Heck and Schlag argue that the experience of those who carry out the ethically and emotionally ambivalent business of war and suffer from the traumatic consequences of violence opens up a new perspective on justification as documentaries like Restrepo and Korengal create a publicly shared imaginary of war. By making these soldiers, their bodies, and emotions visible and giving voice to them, documentary films represent a subjective position that is often neglected and marginalized in IR approaches to the justification of war.
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