关于拍摄暴力的遗产:与乔·拉特利夫的对话

J. Ractliffe, S. Straus, C. Groult
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引用次数: 0

摘要

南非摄影师乔·拉特利夫(Jo Ractliffe)在她的作品中一直在探索景观作为“病理学”的概念,即过去的暴力如何在现在的景观中表现出来。2007年,她第一次访问了安哥拉,在接下来的四年里,她拍摄了安哥拉内战的余波,南非深陷其中,被南非白人称为南非的“边境战争”。《暴力》:一份国际期刊,她回到了她广泛的工作领域,并分享了她对视觉上理解暴力的困难、表现的道德以及摄影锻炼人的批判意识的方式的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On photographing the legacies of violence: A conversation with Jo Ractliffe
In her work, the South African photographer Jo Ractliffe has been exploring the idea of landscape as “pathology,” how past violence manifests in the landscape of the present. In 2007, she made the first of a number of visits to Angola and over the following 4 years photographed the lingering end of Angola’s civil war, one that South Africa was deeply involved in and was known to White South Africans as the South Africa’s “Border War.” For Violence: An international journal, she has come back on her wide body of work and shared her thoughts on the difficulties to grasp violence visually, the ethics of representation and the ways in which photography exercises one’s critical awareness.
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