美国乐团指挥的评估实践

Kirk D. Moss, Stephen J. Benham, Kristen Pellegrino
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引用次数: 0

摘要

在回顾了一小部分关于美国乐团指挥评估实践的文献之后,本章迅速将注意力转移到进行原创性研究上。它描述了一项对美国弦乐教师协会(ASTA)成员(N = 416)的描述性调查研究,该研究发现,基于演奏的评估是最常用的正式评估形式,用于评估技术、音乐技能、创造性音乐技能和合奏技能。音乐素养在基于表演的评估和书面评估之间几乎平分,而对音乐和音乐表演以及历史和文化元素的评估倾向于书面评估和口头反馈。创造性音乐和历史/文化元素是前两个未被评估的领域,但仍被绝大多数教师评估。对五位弦乐教师的访谈表明,研究参与者强调表演/演奏评估,关注学生的学习/进步,承认学区/行政部门的作用,并从其支持中受益,并认识到将评估与标准/课程保持一致的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assessment Practices of American Orchestra Directors
After reviewing a small body of literature on the assessment practices of American orchestra directors, this chapter quickly shifts attention to conducting original research. It describes a descriptive survey study with American String Teachers Association (ASTA) members (N = 416) that found performance-based assessments were the most frequently used form of formal assessment to evaluate technique, musicianship skills, creative musicianship, and ensemble skills. Music literacy was nearly equally split between performance-based and written assessments, while evaluation of music and musical performances and historical and cultural elements tended toward written assessments and verbal feedback. Creative musicianship and historical/cultural elements were the top two nonassessed areas, but were still assessed by the vast majority of teachers. Interviews with five string teachers demonstrate that the research participants emphasized performing/playing assessments, focused on student learning/improvement, acknowledged the role of the school district/administration and benefited from its support, and recognized the value in aligning assessment to standards/curriculum.
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