“让我们掩盖我们的意义”:假日浪漫和1867年的第二次改革法案

James Hamby
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引用次数: 0

摘要

狄更斯最后一部完成的小说《假日浪漫》是一部被忽视和误解的作品。这是一个由四个短篇故事组成的套集,评论界对它的关注很少,但却忽略了作品背后的主要思想。虽然大多数写过《假日浪漫》的学者认为它只不过是儿童娱乐,但它最好被解读为对扩大投票权的政治评论。在狄更斯对1867年第二次改革法案的复杂看法的背景下阅读,这部作品反映了他对扩大投票权的支持,他对议会可能引入任何有意义的改革的悲观情绪,以及他对暴民统治的焦虑。在这四个故事中,孩子们梦想着与成年人互换角色,有时会产生乌托邦式的幻想,有时会陷入令人不安的暴力幻想。本文探讨了狄更斯最后一次使用受虐儿童的形象作为改革需要的有力象征的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Let us veil our meaning": Holiday Romance and the Second Reform Act of 1867
abstract:Dickens's final completed fiction, Holiday Romance, is a neglected and misunderstood work. It is a suite of four short stories and what little critical attention it has garnered has missed the main idea behind the work. While most scholars who have written about Holiday Romance consider it as little more than children's entertainment, it is better interpreted as political commentary on expanding voting rights. Read in the context of Dickens's complex views on the Second Reform Act of 1867, this work reflects his support for expanding the vote, his pessimism that Parliament could introduce any meaningful reform, and also his anxiety over mob rule. Throughout the four stories, children dream of role reversals with adults, sometimes resulting in utopic visions and sometimes descending into disturbing fantasies of violence. This article explores the way Dickens used the image of the abused child one last time as a potent symbol of the need for reform.
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