塔亚-戈兰-戈奇卡小说中的斯利卡-德鲁哈

Милица А. Кандић
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引用次数: 0

摘要

本文探讨戈兰·戈奇奇小说《太》中的他者概念。这一概念涵盖了对东方作为他者与欧洲的关系,母系社会和母系社会秩序与父系社会和父系社会秩序的对比,男性作为他者的anima与女性和不理解自己动画的男性的关系。关于他者性的论述还包括对意象学及其构成的观念的观察,这些观念在小说中作为西欧对世界和生活的理解的启示而存在。通过意象学,我们将看到文化模式如何预先决定一个人在西方的生活,决定一个人对一个概念的看法,这就是小说中东方和东方形象的情况。本文的目的在于强调、解释和揭示这种差异性,为理解和感知东方提供一个新的视角,同时也表明小说直面西方的一切偏见,超越文化模式的刻板印象和教条来描绘东方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
СЛИКА ДРУГОГ У РОМАНУ ТАИ ГОРАНА ГОЦИЋА
In this paper, we deal with the concepts of the Other in Goran Gocić’s novel Tai. This concept covers observations regarding the Orient as the Other in relation to Europe, and matriarchy and the matrifocal social order versus patriarchy and the patriarchal order, the anima as the Other within the man in relation to the woman and the man who does not comprehend his anime. This discourse on Otherness also includes observations regarding imagology and the ideas it constitutes, which are present in the novel as revelations for Western European understanding of the world and life. Through imagology, we will see how cultural patterns can predetermine the life of an individual in the West, determine the notions that an individual will have regarding a concept, which is the case with the image of the East and the Orient in the novel itself. The aim of this paper is to emphasize this otherness, to explain and expose it, to indicate a new perspective in understanding and perceiving the East, but also to show that the novel confronts all the prejudices of the West and portrays the East beyond the stereotypes and dogmas of cultural patterns.
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