{"title":"展示阿里的超级战斗:有争议的政治和闭路拳击广播的简史","authors":"Travis Vogan","doi":"10.2979/FILMHISTORY.30.3.01","DOIUrl":null,"url":null,"abstract":"abstract:This article considers the cultural politics of closed-circuit prizefighting broadcasts—a seldom examined part of media history—by examining Muhammad Ali and The Super Fight (1970), a film based on a computerized simulation of a match between Ali and retired former heavyweight champion Rocky Marciano. It demonstrates how public, closed-circuit telecast exhibitions informed Ali's divisive identity, and, in turn, how Ali impacted the culture, industry, and metamorphosis of closed-circuit sports TV.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Exhibiting Ali's Super Fights: The Contested Politics and Brief History of Closed-Circuit Boxing Broadcasts\",\"authors\":\"Travis Vogan\",\"doi\":\"10.2979/FILMHISTORY.30.3.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article considers the cultural politics of closed-circuit prizefighting broadcasts—a seldom examined part of media history—by examining Muhammad Ali and The Super Fight (1970), a film based on a computerized simulation of a match between Ali and retired former heavyweight champion Rocky Marciano. It demonstrates how public, closed-circuit telecast exhibitions informed Ali's divisive identity, and, in turn, how Ali impacted the culture, industry, and metamorphosis of closed-circuit sports TV.\",\"PeriodicalId\":426632,\"journal\":{\"name\":\"Film History: An International Journal\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film History: An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/FILMHISTORY.30.3.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/FILMHISTORY.30.3.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Exhibiting Ali's Super Fights: The Contested Politics and Brief History of Closed-Circuit Boxing Broadcasts
abstract:This article considers the cultural politics of closed-circuit prizefighting broadcasts—a seldom examined part of media history—by examining Muhammad Ali and The Super Fight (1970), a film based on a computerized simulation of a match between Ali and retired former heavyweight champion Rocky Marciano. It demonstrates how public, closed-circuit telecast exhibitions informed Ali's divisive identity, and, in turn, how Ali impacted the culture, industry, and metamorphosis of closed-circuit sports TV.
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