镜子里和镜子外的事物——对《镜子里的女人:一个反射》的分析

Mehnaz Khan, Kainat Zeb
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摘要

弗吉尼亚·伍尔夫是一位因其文学批评的洞察力和创新的写作技巧而受到高度赞赏的作家,她探索了女性在社会中的角色和性格,揭示了她们本性的真相和现实。伍尔夫在她的作品中表现出一种看似完整的个体内心的不安。在《镜子中的女人:倒影》(1929)中,伍尔芙运用意识流的技巧,传达了叙述者思考伊莎贝拉·泰森形象的思想,通过揭开她外表的复杂层次,揭示了她的真实本质和现实。本文以《伊莎贝拉》的角色为参照,探讨了分裂自我的概念,以了解他者对自我建构的影响。拉康的镜像阶段的概念被用来作为一个理论框架,来观察伊莎贝拉的性格是如何被置于外在的象征秩序中,并从自己的历史中异化出来,来检验自我是如何被各种力量的相互作用和内在形式所概念化和影响的。本研究表明,伊莎贝拉的自我形象是理想自我和自我理想的扭曲产物,并通过对他人的行为而形成和改变,使他们相信他们在她身上看到的是真实的她。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Seeing Things Within and Beyond The Mirror: An Analysis Of “The Lady In The Looking Glass: A Reflection”
Virginia Woolf a highly appreciated writer both for her literary-critical insight and innovative writing techniques explores the role and character of women in society to reveal the truth and reality of their nature. Woolf in her works surfaces forth the inner discomfort of apparently integrated and a whole individual. In “The Lady in The Looking Glass: A Reflection” (1929) Woolf employs the stream of consciousness technique to communicate the thoughts of a narrator who ponders an image of Isabella Tyson to unveil the nature of truth and reality of her person by opening the intricate layers of her appearance. This paper explores the concept of the split self with reference to the character of Isabella to see the impact of the other on/in the construction of self. Lacan’s concept of the mirror stage is used as a theoretical framework to see how Isabella’s character is put in the external symbolic order and is alienated from its own history to examine how the self can be conceptualized and affected by the interplay of various forces and the inside form in and through other. This study demonstrates that Isabella’s self-image is the distorted product of the ideal ego and ego ideal and is made and changed by acting towards others to make them believe what they see in her as true of her.
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