漫画书的蓝色时代

Adrienne Resha
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引用次数: 4

摘要

摘要:本文从漫画研究、残疾研究和新旧媒体理论出发,认为我们正处于漫画的新时代,不是金色、银色、青铜或现代,而是蓝色。三种新媒体现象将蓝色时代与早期时代区分开来:数字阅读器、引导阅读技术和社交媒体。行业专业人士和读者都在使用Twitter、Tumblr和Facebook等平台。像comiXology的Guided View这样的引导阅读技术让更多的读者更容易接触到数字漫画。因为《蓝色时代》漫画是数字化的,是由新媒体技术制作或中介的,所以《蓝色时代》的读者无论是阅读印刷漫画还是屏幕漫画,都是数字化的读者。像卡玛拉·汗和迈尔斯·莫拉莱斯这样的蓝色时代超级英雄代表了边缘身份的人。然而,蓝色时代并不局限于超级英雄类型或漫画书形式。这是一个当代漫画的时代。“漫画的蓝色时代”是当代漫画研究的理论框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Blue Age of Comic Books
Abstract:Drawing on comics studies, disability studies, and old and new media theory, this essay argues that we are in a new age of comic books, not Golden, Silver, Bronze, or Modern, but Blue. The Blue Age is set apart from earlier ages by three new media phenomena: digital readers, guided reading technologies, and social media. Platforms like Twitter, Tumblr, and Facebook are used by industry professionals and readers alike. Guided reading technologies like comiXology's Guided View make digital comics more accessible to more readers. Because Blue Age comics are digital, made with or mediated through new media technology, Blue Age readers are digital readers whether they read comics in print or on screens. Blue Age superheroes like Kamala Khan and Miles Morales represent people of marginalized identities. However, the Blue Age is not limited to the superhero genre or the comic book form. It is an age of contemporary comics. "The Blue Age of Comic Books" is a theoretical framework for contemporary comics studies.
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